Lincoln Center for the Performing Arts, Clark Studio Theatre

Lincoln Center for the Performing Arts

Clark Studio Theatre


The Clark Studio Theatre at Lincoln Center Institute is expressly designed to help teachers to teach the performing arts. This flexible performance space is a fully-equipped black box theater with sophisticated stage lighting and sound systems. The theater, technical workshops, and backstage spaces are designed to serve a number of functions, including performances of music, dance, and theater for students and teachers; workshops; readings and informal tryouts for meetings, and conferences.

Designed specifically to showcase Lincoln Center Institute’s repertory productions, the black box theater accommodates audiences of up to 120 people. Professional lighting and sound systems support the highest quality production values in the performing arts, and the space is equipped with a sprung floor specifically for live dance performances. Moveable seating can be rearranged to suit a wide variety of configurations. In addition, the theater has the capacity to broadcast live performances via a fiber-optic network that connects the Institute with New York City public schools.

  • Client: Lincoln Center Institute
  • Architect: Davis Brody Bond
  • Completion Year: 1991
  • Location: New York, New York
  • Capacity: 120 seats

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Lensic Performing Arts Center

Lensic Performing Arts Center


The renovation of this 70-year-old theatre was envisioned to result in a home for eight regional arts organizations, presenting music, drama and dance, as well as to house national tours. The task facing the design team was to bring the technology and patron accommodations of the Moorish/Spanish Renaissance facility into the 21st Century while retaining every bit of its over the top architectural splendor. There was a lot to preserve: the theatre, built in 1931 as a Vaudeville house, was hailed when completed as the “wonder theatre of the Southwest”, and hosted Ronald Reagan, Judy Garland, and Roy Rogers, among other performers.

To provide flexibility for a wide range of complex production requirements, FDA incorporated a permanent concert lighting system within a new moveable orchestra shell; raised the fly tower to better accommodate theatrical rigging, added new dressing rooms, concession bars, box office, and catwalk, enlarged the orchestra pit, and provided a 60′ deep rear stage. The restoration carefully preserved historic murals and decorative chandeliers.

The Lensic Performing Arts Center was awarded a Citation in Design Excellence by the American Institute of Architects Western Mountain Region.

  • Client: Lensic Theatre
  • Architect: Craig Hoopes and Assoc.
  • Completion Year: 2001
  • Location: Santa Fe, New Mexico
  • Acoustician: Purcell, Noppe & Associates
  • Capacity: 820 seats

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Landmark Theatre (Stagehouse Expansion)

Landmark Theatre (Stagehouse Expansion)


The Landmark Theatre, originally known as Loew’s State Theater, is an historic theater from the era of “movie palaces,” in Syracuse, New York. Designed by Thomas W. Lamb, it is the city’s only surviving example of the opulent theatrical venues of the 1920s and is on the National Register of Historic Places.

From October 2010 to November 2011, a $16 million renovation project expanded the backstage area, also providing new dressing rooms and green rooms to attract larger, longer-running Broadway tours and other events to the theater. The new expanded stagehouse features a new manual counterweight rigging system. The aging, recessed loading dock in the theater’s rear on South Clinton Street was removed and replaced with a new two-bay dock. New side lighting (box boom positions) in the seating were installed, as well as safely accessible forestage rigging points for lighting trusses and speakers. The box office was relocated from Jefferson Street to Salina Street, next to the lobby entrance and the original wooden ticket booth, both disused since its Loews State days.

  • Architect: Holmes King Kallquist & Associates
  • Completion Year: 2011
  • Location: Syracuse, New York
  • Acoustician: AVL Designs

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Kuwait University Administration Facilities

Kuwait University Administration Facilities


The Administration Facilities at Kuwait University’s Sabah Al-Salem University City will serve as the main gateway to the new campus. The seven buildings will house the chief administrative and ceremonial functions of the campus, serving the needs of students, faculty, administrators, and visitors alike.

The seven buildings will include several performing arts and presentation spaces: Convocation Hall, a 2,500-seat multipurpose theatre; a 300-seat Museum Theatre in the Cultural Center; a Conference Center with one 1,200-seat auditorium, two 600-seat auditoria, and three 250-seat auditoria with flexible seating arrangements; and two 200-seat auditoria in the Central Administration Building.

  • Client: Kuwait University
  • Arch. of Record: SOM – New York
  • Completion Year: 2021
  • Location: Kuwait City, Kuwait

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KAFD Conference Center | Riyadh Art

KAFD Conference Center | Riyadh Art


The King Abdullah Financial District Conference Center is a state-of-the-art building designed to the highest technical standards to provide a conference facility for the KAFD, as well as the rest of Riyadh. It is structurally innovative having being designed as an extension to the desert landscape. The revolutionary modular roofing system features areas of Arabian horticulture in addition to internal green walls.

The state-of-the art building sets a new standard for flexible conferencing, providing a multipurpose event hall with operable walls, a 600-seat auditorium with full lecture and cinema support, and a “digital forum” approach that allows all venues to be internally and externally networked.

  • Client: Rayadah Investment Company
  • Architect: SOM – New York
  • Completion Year: 2018
  • Location: Riyadh, Saudi Arabia
  • Building Size: 1,320,000 s.f.
  • Capacity: 600 seats

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Javits Center

Javits Center


FDA consulted on the Jacob Javits Center’s 30,000 square foot Special Events Hall. The Special Events Hall can seat up to 3,200 for theatre-style meetings and 1,200 for banquets. The Hall includes a proscenium stage with motorized rigging and performance lighting. To ensure maximum flexibility, the Special Events Hall features a network of strong points in the ceiling for hanging lighting trusses and event rigging, as well as power for lighting and machinery.

As the Javits is one of the largest and most flexibly used event spaces in New York City, the client required rigging and lighting systems for ancillary meeting rooms and larger spaces used frequently for events. In addition to our work on the Special Events Hall, FDA consulted on rigging and lighting infrastructure for events in the 15 story Crystal Palace. FDA also designed flexible lighting control systems for the Javits Center’s many meeting rooms.

  • Client: City of New York
  • Architect: Pei, Cobb, Freed
  • Completion Year: 1985
  • Location: New York, New York
  • Acoustician: Jaffe Holden Acoustics

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Irish Arts Center

Irish Arts Center


The Irish Arts Center (IAC) is a home for cultural exchange with Ireland, a place for creation and development of new productions, a venue that supports cross-collaborations between US and Irish artists in many disciplines, and a center for educational programs that serves both the Irish-American and larger community. For most of its existence, the IAC operated out of a converted three-story tenement building, whose ground floor garage was transformed into a small theater. Our new expansion develops an adjacent new building on 11th Avenue which is connected to the original facility, creating a center with two venues, as well as associated support, classroom, and rehearsal space.

The renovated and expanded IAC houses a 199-seat flexible theater, rehearsal studio classroom, multi-purpose classroom, exhibit areas, and a café as well as the restored 99-seat historic theater. It provides spaces for collaboration among the creative disciplines of music, theater, dance, film, comedy, literature and the visual arts. The new theater is used for drama, spoken word and music, and was designed to provide a flexible and neutral backdrop for set design while retaining a distinct character when used as a music venue. The solution was an interior of dark stained sacrificial plywood panels that allow for the adaptability of a “black box” yet still provides a sense of warmth and richness when the lights are on.

  • Client: Irish Arts Center
  • Architect: Davis Brody Bond
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 2020
  • Location: New York, New York
  • Size: 21,700 sf
  • Capacity: 199 seats

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Hult Center for the Performing Arts | Soreng Theater

Hult Center for the Performing Arts

Soreng Theater


The Soreng Theater has a flexible proscenium that allows smaller companies a range of possibilities for experimental staging. FDA was instrumental in shaping the design of the hall, developing functional and attractive seating plans that break down the scale of the room, and create smaller, more intimate groups. Additionally we designed and specified state-of-the-art rigging and lighting equipment that could be carefully integrated into the theatre architecture.

  • Client: City of Eugene
  • Architect: Hardy Holzman Pfeiffer
  • Completion Year: 1982
  • Location: Eugene, Oregon
  • Lighting: Fisher Marantz Stone & Partners
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 120,000 s.f.
  • Capacity: 500 seats

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Hult Center for the Performing Arts | Silva Concert Hall

Hult Center for the Performing Arts

Silva Concert Hall


A 2,500-seat multipurpose theatre and 500-seat drama theatre comprise the Hult Center, one of the nation’s most active and successful performing arts complexes. Since it opened in 1984, the Center has been credited with playing a significant role in helping to revitalize Eugene’s economy, from the mid ’80s, when the city was economically depressed through present day.

The spacious 2,500-seat Silva Concert Hall is a multipurpose proscenium theatre with a horseshoe-shaped auditorium flanked by curved loges, a mezzanine, and balconies. The smaller Soreng Theater has a flexible proscenium that allows smaller companies a range of possibilities for experimental staging.

FDA took a lead role in shaping the design of the two halls, developing functional and attractive seating plans that break down the scale of the large hall, and creating smaller, more intimate seating groups. Additionally we designed and specified rigging and lighting equipment and helped the archtitects carefully integrate the equipment into the room’s architecture.

  • Client: City of Eugene, Oregon
  • Architect: Hardy Holzman Pfeiffer Associates
  • Completion Year: 1982
  • Location: Eugene, Oregon
  • Lighting: Fisher Marantz Stone
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 120,000 s.f.

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Hudson River Museum Amphitheater

Hudson River Museum Amphitheater


The Hudson River Museum Amphitheater is constructed on a half-acre site next to the museum in Trevor Park, and connects to the Westchester RiverWalk — a 51.5-mile, richly programmed esplanade paralleling the Hudson River. The context of the museum’s 1960s brutalist ribbed concrete design inspired the Amphitheater’s concrete material and form. Integrated into the existing slope, the Amphitheater provides stepped outdoor concrete seating for 465 people, an outdoor concrete stage with associated low energy LED and plasma stage lighting, audio visual equipment, and light towers. The HRM Amphitheater provides a multipurpose resource for the diverse needs of the Westchester community. It has been designed to present programming of films; performances of recitals, puppetry, pageants, and one act plays; school events, picnics, and graduations; and astronomical viewing associated with the Museum’s Planetarium, among many other special events.

The City of Yonkers is committed to sustainable and energy efficient construction. Environmental considerations informed the production of the cast concrete, reducing its use of portland cement which currently accounts for 6% of global carbon dioxide; using recycled aggregate in place of virgin aggregate to reduce mining, which causes air and water pollution, as well as habitat destruction; and use of recycled formwork and gray water. An underground stormwater retention system will control site water surges.

  • Architect: Archimuse
  • Completion Year: 2014
  • Location: Yonkers, New York

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