McCarter Theatre Center, The Roger S. Berlind Theatre

McCarter Theatre Center,
The Roger S. Berlind Theatre


A second performance space (360 seats) at the McCarter Theatre fulfills the desire for new and varied productions at the Princeton arts center. The Roger S. Berlind Theatre is built on the back of McCarter’s existing space and functions as second stage to the original 1,100-seat house.

FDA has provided the new theatre with a steeply raked seating bank, a large stage, and generous backstage and fly space to accommodate a wide range of contemporary productions. Director Emily Mann wanted an intimate space. “I put my hands together, cupped them and said, ‘I want the audience and the actors to be in the same room. I wanted it to be intimate, for the actors to be able to make eye contact with every member of the audience,” she said.

The new building has a separate entrance and lobby space, dressing and green rooms for up to 26 performers, and two large rehearsal rooms that can be converted to performance spaces. One rehearsal room is designated for the McCarter, the other for Princeton University, McCarter’s partner in this venture. The rest of the facility is shared by the two institutions. The addition of the space has freed up the large theatre for more weeks during the main season, and that in turn has allowed McCarter to present more and different arts events, including music, dance and family shows.

  • Client: McCarter Theatre
  • Architect: Hardy Holzman Pfeiffer
  • Completion Year: 2003
  • Location: Princeton, New Jersey
  • Acoustician: Acentech
  • Building Size: 27,000 s.f.
  • Capacity: 360 seats

Links


Maui Arts & Cultural Center

Maui Arts & Cultural Center


An extensive, two-year planning study, community surveys, and workshops with an active local arts community of considerable variety and diversity was key to FDA’s theatre planning work on this $32-million cultural complex, which opened in 1994. The complex houses a 1,200 seat theater, 300-seat theater, museum-quality art galleries, a restaurant, performance courtyard, classrooms, offices, shops, and rehearsal spaces for children’s and community theatre groups. An adjacent outdoor amphitheatre with a capacity of 5,000 has featured everyone from Mikhail Baryshnikov to Bob Dylan.

The 1,200-seat Castle Theater has an intimate feel with its balconies wrapping back to the stage. The 300-seat McCoy Theater, configured in the style of “theatre in the round”, is an even more intimate space that lends itself to plays requiring a minimum of scenery and props.

The popular center now hosts a full and remarkably diverse schedule of touring events, locally produced music and dance groups, and classes in fine and performing arts.

  • Client: Maui Arts & Cultural Center
  • Architect: John Hara & Associates
  • Completion Year: 1994
  • Location: Kahalui, Hawaii
  • Acoustician: Kirkegaard & Associates
  • Capacity: 1,200 seats

Links


Mashantucket Pequot Museum & Research Center

Mashantucket Pequot Museum & Research Center


The program for this new facility called for two major components: a museum dedicated to permanent exhibitions describing the history of the Mashantucket Pequot tribe, and a research center containing the world’s largest archive of print and electronic materials on Native American topics. The site is an historic Mashantucket Pequot settlement.

The media center is the nucleus of a Native American television and radio network. A 300-seat theatre FDA helped to plan and design presents live performances of dance, music, storytelling and poetry.

  • Client: Pequot Indian Nation
  • Architect: Polshek & Partners
  • Completion Year: 1997
  • Location: North Stonington, Connecticut
  • Capacity: 300 seats

Links


Marlborough College, Memorial Hall

Marlborough College, Memorial Hall


Memorial Hall is Marlborough College’s principal memorial to the 749 men who gave their lives in World War I. The hall was built by Messrs Holloways of London at a cost of £53,000. The design was the result of a competition between Old Marlburian architects, the adjudicator being Sir John Simpson, President of the Royal Institute of British Architects. The winning design was that of William Newton. It was opened by H.R.H. The Duke of Connaught on May 23, 1925.

The hall stands to the west of the Court (at the center of the College) and is linked to the chapel by means of stone steps leading down to the its brick-paved forecourt. It was originally designed to have a maximum capacity of about 800. The hall itself comprises a semi-circular auditorium of stepped seats with an ambulatory at the rear to allow inspection of the 749 names carved in alphabetical order and without reference to rank around the inside of the back of the hall. At the back of the building, there is a separate entrance giving access to a series of music practice rooms located under the ambulatory.

Today the Memorial Hall is used for assemblies; some musical events, including the Marlborough College Concert Series; and other entertainment events such as the House Shout and the pupil-led Illumination.

Nearly 100 years of constant use has taken its toll. Diamond Schmitt Architects and FDA restored this magnificent building while also incorporating state-of-the-art technology to support the performing arts — a £5M project. The restoration was completed in time to commemorate the end of the First World War in July 2018.

  • Client: Marlborough College
  • Architect: Diamond Schmitt Architects
  • Completion Year: 2018
  • Location: Marlborough, Wilts, United Kingdom

Links


Lyric Theatre

Lyric Theatre


Reconstructed from the combined vintage 1903 Lyric and 1920 Apollo music theatres by entrepreneur Garth Drabinsky, the Hilton Theatre, on New York’s reinvigorated 42nd Street, is an 1,821-seat theatre with an atmosphere of pure fantasy.

The theatre, which re-opened in 1997 as the Ford Center for the Performing Arts before being renamed the Hilton, was designed to adhere to the guidelines for development established by The New 42nd Street to “promote the preservation, restoration and reconstruction of the historically significant elements of each theater.”

The challenge was to find a way to take two theaters that were sadly deficient in most areas required for a Broadway musical house-such as seating capacity, size of stage, proscenium opening, handicapped access, dressing rooms, lobby areas and public toilets, to name a few-and create a theater that adhered to today’s standards. The Hilton Theatre incorporates many elements from the Apollo and Lyric theaters, such as the Lyric’s magnificent Turn of the Century 42nd and 43rd street facades. Key historic interior elements of the Apollo also were used to establish the look of the rebuilt theater.

  • Client: Livent Theater
  • Architect: Beyer Blinder Belle
  • Completion Year: 1997
  • Location: New York, New York
  • Capacity: 1,800 seats

Links


Lucas Theatre

Lucas Theatre for the Arts


This 1920’s theatre was neglected and deteriorating before it was rescued by a local non-profit organization. The goals were simple: save the architecturally significant building, modernize all safety, environmental, and performing systems, and return it to its original use as a center for performing arts.

The project was completed in three phases – exterior facade, interior demolition and interior renovation. All major building systems were replaced, and decorative interior treatments were fully restored. FDA updated accessibility and theatrical infrastructure, inconspicuously weaving the new technical systems into the structure’s historic fabric. The lighting design reflects the original multiple sources and colors that fade and build as part of the patron experience. A totally new marquis shelters patrons, and the facade’s exterior lighting makes the Lucas a permanent part of Savannah’s night life.

The total building area is approximately 27,750 square feet and the building has a seating capacity of approximately 1,400. Its location in Savannah’s Historic District, immediately off Broughton Street, forms the most important piece of Savannah’s planned theatre district.

  • Client: The Lucas Theatre
  • Architect: Forrest Lott
  • Completion Year: 2001
  • Location: Savannah, Georgia
  • Building Size: 27,750 s.f.
  • Capacity: 1,400 seats

Links


Jazz at Lincoln Center, The Ertegun Atrium

Jazz at Lincoln Center, Ertegun Atrium


Jazz at Lincoln Center renovated the public spaces in Frederick P. Rose Hall, its home in the Time Warner Center at Columbus Circle. The project commenced in July 2015, with an estimated cost of $18.5 million and a scheduled completion of December. The redesign comes a decade after the opening of Rose Hall.

The Ertegun Atrium features improved visibility of Columbus Circle and a terrace with room for small ensembles and café seating. Two new glass staircases were installed to improve the flow between the hall’s two floors. And the Nesuhi Ertegun Jazz Hall of Fame — named for Ahmet’s brother and business partner, who died in 1989 — was remaded as a more interactive experience.

  • Client: Jazz at Lincoln Center
  • Architect: Ennead Architects
  • Completion Year: 2015
  • Location: New York, New York

Links


Guthrie Theater

Guthrie Theater


The original home of this important regional company was built in the early 1960’s and the Guthrie has been struggling with major space deficiencies ever since. With its badly aging 35-year old home no longer sufficient for either its present programs or new ones, the Guthrie embarked on a plan for a new three-theatre complex.

In addition to bringing all of its operations under one roof, the Guthrie’s goal was to expand its mission while retaining the legacy of one of the most unique thrust theatres in the world. Consequently, the new project includes a near replica of the original 1100-seat thrust theatre. FDA retained the asymmetry of that room, including the unique steep slope of seats on House Right. The additional spaces include a 700-seat proscenium theater and a flexible 200-seat ‘studio’ theatre, along with the requisite support spaces, shops, rehearsal, and administrative spaces.

FDA worked closely with Artistic Director Joe Dowling to develop a highly detailed building program, which went through several iterations as needs and aspirations were balanced against resources. The three unique stages allow Artistic Director Joe Dowling multiple venues for a wide range of production formats, from the classical work for which the Guthrie is best known to experimental theatre and new plays.

  • Client: Guthrie Theater
  • Architect: Atelier Jean Nouvel
  • Arch. of Record: Architectural Alliance
  • Completion Year: 2006
  • Location: Minneapolis, Minnesota
  • Acoustician: The Talaske Group
  • Capacity: 2,000 seats

Links


Lincoln Center for the Performing Arts | David Rubenstein Atrium

Lincoln Center for the Performing Arts

David Rubenstein Atrium


The David Rubenstein Atrium, a vibrant public visitors’ and ticketing facility on Broadway between 62nd and 63rd Streets, is open daily with an array of services for local residents, the general public, and the thousands of people who visit Lincoln Center and the surrounding community every day.

Formerly known as the Harmony Atrium, it is one of approximately 503 Privately Owned Public Spaces (POPS) in New York City created under a longstanding program that offers zoning incentives for buildings to provide accessible public spaces. The Harmony Atrium was originally conceived as a lively gathering place for local residents as well as visitors, and The David Rubenstein Atrium proudly fulfills this original vision, hosting regular film screenings, informal gatherings and multimedia performances.

The facility is named in honor of the philanthropist, financier, and Vice Chairman of Lincoln Center for the Performing Arts David Rubenstein, in recognition of his $10 million gift to the Bravo Campaign. The Tod Williams Billie Tsien design reflects a respect for the materials used throughout Lincoln Center and provides an open, accessible, and inviting environment.

  • Client: Lincoln Center for the Performing Arts
  • Architect: Tod Williams and Billie Tsien
  • Completion Year: 2009
  • Location: New York, New York

Links

Related Projects


Lincoln Center for the Performing Arts, Vivian Beaumont Theater

Lincoln Center for the Performing Arts

Vivian Beaumont Theater


Architect Hugh Hardy led the $16 million renovation of the Vivian Beaumont Theatre with Fisher Dachs Associates. A traditional proscenium configuration in the space was eschewed for a modern thrust stage with stadium-style seating for 1,080.

Other improvements to the space include new HVAC and air circulation systems, wheelchair accessibility in the lobby, a much larger lighting grid with over 80 available positions, and semi-circular catwalks for the designers to use. (The previous walks were rectangular, making their use awkward, considering the circular Beaumont and Newhouse stages.)

  • Client: Lincoln Center
  • Architect: Hardy Holzman Pfieffer
  • Completion Year: 1998
  • Location: New York, New York
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 1,080 seats

Links

Related Projects


Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Youtube
Consent to display content from - Youtube
Vimeo
Consent to display content from - Vimeo
Google Maps
Consent to display content from - Google
error: Content is protected. Please reach out to rhackman@fda-online.com for any materials needed. Thank you