Esplanade Arts & Heritage Centre

Esplanade Arts & Heritage Centre


The 700-seat Esplanade Theatre is a magical place. The state-of-the-art acoustic design, orchestra lift, and large stage are capable of accommodating a variety of musical or theatrical performances. Features include a full fly tower, orchestra pit, under floor traps, sound and lighting control booth, box office, plus a “quiet” room that affords a full view of the stage. The theatre will function as a facility for classical music, drama, performing arts, musicals, conferences, graduation ceremonies, community events, and large-scale presentations or lectures.

Located directly across the luxurious Esplanade lobby, the studio theatre provides a smaller venue for performing arts productions catered to a more intimate setting. Also a great rehearsal space, the studio theatre is equipped with sound and lighting to accommodate theatrical, music or dance events for up to 140 people. Tables and chairs could be set up for an informal presentation, reception or meeting.

The Center also includes a City Archival Center, Museum and Discovery Center.

  • Client: City of Medicine Hat
  • Architect: Diamond + Schmitt Architects
  • Arch. of Record: Cohos Evamy Partners
  • Completion Year: 2006
  • Location: Medicine Hat, Alberta
  • Lighting: Crossey Engineering
  • Acoustician: Aerocoustics Engineering
  • Building Size: 115,000 s.f.
  • Capacity: 700 seats

Links

Schermerhorn Symphony Center | Laura Turner Concert Hall

Schermerhorn Symphony Center | Laura Turner Concert Hall


Drawing inspiration from European-style venues, Schermerhorn Symphony Center is the new home of the Nashville Symphony. The ornamental, neo-classical inspired building has 1,860 seats arranged in shoebox configuration. The stage accommodates as many as 115 musicians, and an additional 140 choral seats behind the stage.

A hallmark feature of the Laura Turner Concert Hall is its flexibility. The center section of the main auditorium rests on multiple chair wagons. A platform lift  allows seat wagons to be lowered to a storage level beneath the orchestra level, creating a flat floor for pop concerts, dances, and special events.

“This is a thoroughly modern building wearing somewhat traditional-looking clothing. Beneath its historically-inspired appearance is an incredible contemporary machine with sophisticated technology. We chose equipment for the Hall such as robotic lighting fixtures that you normally see in rock and roll, and there’s a wonderful FDA-designed system to convert the room from a sloped floor to a flat floor.” – FDA Principal Joshua Dachs

  • Client: The Nashville Symphony
  • Architect: David M. Schwarz Architectural Services
  • Arch. of Record: Earl Swensson
  • Completion Year: 2006
  • Location: Nashville, Tennessee
  • Acoustician: Akustiks
  • Building Size: 197,000 s.f.
  • Capacity: 1,860 seats

Awards
  • 2007 Society of American Reg. Architects,Tucker Design Award
  • 2014 Building Stone Institute, Tucker Design Award

Links

Media

Adrienne Arsht Center for the Performing Arts | Knight Concert Hall

Adrienne Arsht Center for the Performing Arts
Knight Concert Hall


Miami’s Adrienne Arsht Center for the Performing Arts is a complex of single purpose state-of-the-art performance halls designed along the lines of New York’s Lincoln Center.

The Sanford and Dolores Ziff Ballet Opera House can accommodate the grand sets and scenery employed in major theatrical productions, including opera, ballet, and Broadway musicals. It is the home for the Florida Grand Opera, Miami City Ballet and “Broadway Across America” Miami.

The complex also houses the Carnival Studio Theater, a flexible intimately designed black-box space for small-scale theater and dance presentations, and the Knight Concert Hall, designed for classical and popular music concerts and serving as the principal venue for Miami’s orchestral groups.

  • Client: Miami-Dade County
  • Architect: Pelli Clark Pelli
  • Completion Year: 2006
  • Location: Miami, Florida
  • Acoustician: Artec
  • Building Size: 570,000 s.f.
  • Capacity: 2,200 seats

Links

Related Projects


Long Center for the Performing Arts

Long Center for the Performing Arts


After a programming phase spearheaded by FDA to help plan for the needs of arts groups in the community, Austin’s Arts Center Stage engaged Jaffe Holden Acoustics and Zeidler Roberts Partnership to join with us in carrying out a major transformation of Austin’s circa 1958 Palmer Auditorium.

This City-owned structure was both outdated and poorly equipped to meet the needs of the City’s rich offerings of jazz, modern dance, experimental theatre, opera, and symphonic music.  The reconfigured Palmer has both a 2,400-seat multipurpose theatre and a new, 200-seat studio theatre.

The large, fully equipped Dell Hall serves as the permanent homes of the Austin Lyric Opera, Ballet Austin, and the Austin Symphony Orchestra. The smaller, flexible Rollins Studio Theater serves as an inviting, affordable alternative for many of Austin’s smaller performing groups.

  • Client: Arts Center Stage
  • Architect: Zeidler Roberts Partnership
  • Arch. of Record: Team Hass
  • Completion Year: 2007
  • Location: Austin, Texas
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 235,000 s.f.
  • Capacity: 2,400 seats

Links

Sidney Harman Hall (Shakespeare Theatre Company)

Sidney Harman Hall (Shakespeare Theatre Company)


The Shakespeare Theatre Company in downtown Washington, DC, has added a second theatre to create the Sidney Harman Center for the Arts. The new 776-seat theatre, designed to address the Shakespeare Theatre’s expanded programming mission, makes possible a wide variety of staging configurations as well as presentation of dance and music events. The space is easily adapted for chamber music as well as live, amplified or recorded sound.

The theatre occupies the first five and a half floors of an 11-story office tower. A variety of stage configurations – proscenium, end-stage, and three-quarter thrust stage – give the Company a totally flexible space. Simple technically advanced stagecraft include: a retractable proscenium that can be stored in the fly space; a series of seating units on movable wagons for three-quarter or “in-the-round” viewing; and a series of movable acoustical wall panels, arranged in a semi-circle in front of the proscenium for chamber music or solo recital concerts. This new theatre joins the Shakespeare’s existing 451-seat Lansburgh Theatre to make up the enlarged Harman Center.

After five years in the new space, The Shakespeare Theatre Company won the 2012 Tony Award for Regional Theatre.

  • Client: The Shakespeare Theatre
  • Architect: Diamond + Schmitt Architects
  • Arch. of Record: Smith Group (Bldg Shell)
  • Completion Year: 2007
  • Location: Washington, Dist of Columbia
  • Acoustician: The Talaske Group
  • Capacity: 776 seats

Awards
  • 2008 Good Design is Good Business Award, Business Week /Architectural Record
  • 2008 Honor Award, AIA Maryland Chapter Design Awards
  • 2008 Award of Excellence, AIA DC Chapter

Links

The Times Center

The Times Center


The 378-seat auditorium for the Times Center is a flexible venue that hosts and broadcasts a wide range of events, from internal meetings to the now well-known Times Talks series. With state-of-the-art performance lighting as well as audio and video systems, the space is as fully equipped to accommodate music, dance and multimedia performances as it is to support town hall meetings, special events and conferences.

The rear wall of the stage has three views which change the character of the room to suit the gathering’s needs: glass, revealing the building’s interior garden, a blackout shade and a translucent shade for a transparent lighting effect. The theatre’s back-of-house spaces include a full-service greenroom with audio and video playback from the stage, two dressing rooms, a private restroom and production office facilities for event producers.

  • Client: The New York Times
  • Architect: Renzo Piano Building Workshop
  • Arch. of Record: FXCollaborative
  • Completion Year: 2008
  • Location: New York, New York
  • Capacity: 378 seats

Links

Count Basie Center for the Arts

Count Basie Center for the Arts


Renovation and restoration of the Count Basie Theatre gave back to Red Bank, New Jersey residents a venue that originally opened in 1926. A major anonymous donation in 1973 was the first step in allowing the Monmouth County Arts Council to preserve and reopen the historic theatre for cultural uses. Originally  known as the Carlton when it opened in 1926,  the theatre was renamed the Monmouth Arts Center and then became the Count Basie Theatre, in memory of  Red Bank native William “Count” Basie, a jazz pianist, bandleader and composer.

The work to date was in phases. In 2004, FDA worked with Dahn and Krieger Architects to replace tired 1960s era seats, previously rescued from Carnegie Hall, with comfortable and historically accurate seating.

In 2008, FDA worked with Farewell Mills Gatsch Architects to undertake a total restoration of the audience chamber: repair and repainting of the decorative plaster, new house lighting (including a new chandelier), new mechanical systems, and expansion of support space for the production staff and performers. FDA facilitated the integration of infrastructure for a new stage lighting system and improved the existing accommodations for forestage lighting trusses and speaker clusters.

In 2020, the expansion designed by FDA and NK Architects, including The Vogel (a second performance venue), opened. A 100-year-old style of rigging with rope and sand bags was replaced by state-of-the-art motorized rigging. Other enhancements include new concession stands, larger restrooms, elevators, and updated air conditioning and heating systems. The Stillwell-Larkin Pavilion will house a new members’ lounge and serve as the entranceway to the courtyard and lobby. The theater has been renamed the Hackensack Meridian Health Theatre.

  • Architect: Farewell Mills Gatsch Architects
  • Completion Year: 2004
  • Architect: Mills + Schnoering Architects, LLC
    Completion Year: 2008
  • Location: Red Bank, New Jersey
  • Capacity: 1,574 seats

Links

Old Globe Theatre | Conrad Prebys Theatre Center

Old Globe Theatre | Conrad Prebys Theatre Center


In October 2009, the Old Globe Theatre’s Conrad Prebys Theatre Center opened the doors to its latest addition. The new Sheryl and Harvey White Theatre, with 250 seats in the round, was designed by LMN Architects with FDA as a much-needed replacement for the Cassius Carter Centre Stage.

One of the most unusual and exciting features of the space is its intimacy, especially for an arena-style theatre. There is “no seat more than 12 feet from the stage,” says Lou Spisto, the Old Globe’s CEO and executive producer. FDA designed crisscrossing catwalks for swift and flexible changes to lighting positions, as well as a deep trap space, one of the missing pieces the staff and crew found most frustrating about the old space.

FDA worked with Mr. Spisto to study the theatre center’s campus and determine the best options for replacing the Carter Centre Stage. While the new space sits on the former Carter site, it greatly expands on the old building’s capabilities. There is now a 6,200 square-foot education center, event space, and an extraordinary amount of storage room. The new support spaces can be shared by the Main Stage via a walkway between the two buildings.

  • Client: The Old Globe
  • Architect: LMN Architects
  • Completion Year: 2009
  • Location: San Diego, California
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 250 seats

Links

Ford’s Theatre

Ford’s Theatre


Reopened in February, 2009 after an 18-month renovation, Washington D.C.’s historic Ford’s Theatre now has comfortable new seats and brighter interior lighting systems.

The goal of the restoration by the National Parks Service, with architect Robert Pruitt of ADS in Falls Church, VA, and with FDA’s participation, was to preserve the intimate feel of the Civil War-era theater along with physical features such as the wallpapered box where Lincoln was seated. ADA accessibility was another key objective, and a new heating and air conditioning system was installed for audience comfort.

Paul Tetrault, Director, commented, “Forty years had passed since the last major restoration. The theater was looking haggard. We needed to upgrade the building systems and interior so we could attract first-class talent and present the best American work.”

FDA was instrumental in replacing the original wooden gridiron and rope rigging with a steel grid and motorized, computer-controlled rigging. As part of our design for a new stage lighting system, the top balcony now supports expanded and enhanced stage lighting positions and a new control and followspot booth. And finally, uncomfortable wooden chairs have been replaced with fully upholstered seats. These new seats are self-rising for easier access to the rows.

  • Client: National Park Service
  • Completion Year: 2009
  • Location: Washington, Dist of Columbia
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 650 seats

Links

Lincoln Center for the Performing Arts | Juilliard School

Lincoln Center for the Performing Arts | Juilliard School


The emergence of The Juilliard School as one of the nation’s premier training academies in the arts brought with it the challenge of providing facilities that match Juilliard’s programmatic excellence. A new black box theatre, which doubles as a flexible rehearsal space, is one piece of a 100,000 square foot expansion and renovation of the school’s original Pietro Belluschi building. Part of the redevelopment of the Lincoln Center Campus by DSR, the theatre provides a convertible space that easily accommodates rehearsal and performance needs for pre-professional students.

Up to 100 seats can be placed on platforms along the length and width of the room or disappear into storage areas to uncover the resilient floor for performance and rehearsals. A palette of compatible robotic and stationary lighting fixtures is affixed via easily-accessed overhead rails. An easily movable steel gantry spans the width of the room and can slide along its entire length. In addition to being used to adjust overhead lighting fixtures, the gantry can be employed as an overhead stage for performers. The gantry is a key aspect of the design that allows for the room to be converted quickly from one use to the next. Other components of the expansion include an orchestra rehearsal space and recording studio, a large dance studio, and smaller studios, rehearsal rooms, classrooms and offices.

  • Client: Lincoln Center
  • Architect: Diller Scofido + Renfro
  • Arch. of Record: FXCollaborative
  • Completion Year: 2009
  • Location: New York, New York
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 100,000 s.f.
  • Capacity: 100 seats

Awards
  • 2011 Education Facilities Design Award, Boston Society
  • 2011 Reconstruction Award, Building Design + Construction
  • 2010 American Institute of Steel Construction/IDEAS
    Awards National Award
  • 2010 Honor Award for Excellence in Architecture for a Building Addition, Society for College and University
    Planning
  • 2010 New York Construction Best of 2010 Project of the Year Award, Architectural Design
  • 2010 Ontario Steel Design Award of Excellence of Architects
  • 2010 SCUP Excellence in Architecture Honor Award

Links

Related Projects


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