Snug Harbor Cultural Center, Music Hall

Snug Harbor Cultural Center, Music Hall


Robert Richard Randall founded Sailors’ Snug Harbor as a “haven for aged, decrepit and worn out sailors” with his benefactors’ bequest of 1801. Its Music Hall is the one of the oldest concert halls in New York City, second only to Carnegie Hall, and serves as the centerpiece for performing arts.

This renovation of the over 120-year-old Snug Harbor Cultural Center Music Hall is focused on creating men’s and women’s dressing rooms, a private dressing room, two stage managers’ offices, a green room, a pantry, lighting and HVAC systems, and additional storage and other back-of-house support spaces. Preservation of existing historically significant features and compliance with Actor’s Equity regulations take priority.

  • Client: NYC Department of Design and Construction
  • Architect: Cooper Joseph Studio
  • Completion Year: 2017
  • Location: Staten Island, New York

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Seton Recreation Facility

Seton Recreation Facility


Operated by the Brookfield Residential YMCA, Seton Recreation Facility is situated in the heart of a vibrant urban center in southeast Calgary. The facility provides a blend of leisure, sports, arts, cultural and recreational amenities for individuals and families while providing a competitive sport venue for Calgary’s amateur sport community. It serves as a community hub in a dynamic area surrounded by a future high school, a regional park, and the southeast light rail transit (LRT).

  • Client: City of Calgary
  • Completion Year: 2019
  • Location: Calgary, Alberta
  • Building Size: 330,000 s.f.
  • Capacity: 250 seats

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Seattle Rep PONCHO Forum

Seattle Repertory Theatre

PONCHO Forum


Seattle Repertory Theatre completed its first capital project in more than two decades with the renovation of the PONCHO Forum. This black-box space is in daily use for a variety of mission-driven activities — from mainstage rehearsals and new play readings to youth arts education workshops, public programs, and community engagement initiatives like Public Works Seattle. Renovating the PONCHO Forum allows the Rep, its community partners, and other arts organizations in Seattle to make greater use of this space, increasing the quality and range of programs mounted there.

With no significant updates since its construction in 1983, the PONCHO Forum had been woefully outdated. Now, the venue has entered the 21st century with state-of-the-art new theatrical sound and lighting systems, and audiovisual capabilities to ensure artists have the tools that they need to create theatre of the highest caliber. For audiences and patrons, there is a new flexible, telescopic seating unit and a gorgeous window that opens up the artistic process to observers outside.

  • Client: Seattle Rep
  • Completion Year: 2018
  • Location: Seattle, Washington
  • Capacity: 133 seats

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Scottsdale Center for the Performing Arts, Virginia Piper Theater

Scottsdale Center for the Performing Arts

Virginia Piper Theater


After more than a year of renovation and renewal, the Scottsdale Center for the Performing Arts embarked upon a new era with the opening of its state-of-the-art Virginia G. Piper Theater.

Originally designed by noted Southwestern architect Bennie Gonzales in 1975, the Scottsdale Center for the Performing Arts had never been renovated. The Scottsdale Cultural Council hired FDA in 2006 to evaluate its two aging performance spaces and develop recommendations for their renovation and improvement. Following an extensive study period, the Cultural Council voted to move ahead with our recommendations for a $14m upgrade of the facility. Working with local architect John Douglas and acoustician McKay Conant Hoover, FDA saw the renovation completed in 2009.

Among the larger improvements was the re-raking of the auditorium to improve sightlines and ADA access. The addition of seating boxes at the sides of the hall give the theatre a much more intimate atmosphere and provide VIP seating opportunities. The new plan is remarkably efficient: while the hall is narrower and the last row of seats is closer to the stage, the seat count is actually higher than it was before the renovation. The brand new technical and followspot booths are enclosed with excellent views to the stage, where new, state-of-the-art equipment completely upgrades the technical capabilities of the room.

  • Client: Scottsdale Center for the Performing Arts
  • Architect: John Douglas Architect
  • Completion Year: 2009
  • Location: Scottsdale, Arizona
  • Capacity: 852 seats

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Santa Monica College, The Eli and Edythe Broad Stage

Santa Monica College

The Eli and Edythe Broad Stage


The Broad Stage provides a much-needed performance facility for the College and the surrounding community. Its 499-seat state-of-the-art Theater anchors a performing arts complex at the SMC Madison Campus on Santa Monica Boulevard and 11th Street. Its Art Gallery features student and faculty exhibitions in addition to world-class artists.

Its 99 flexible smaller rehearsal hall is used for the presentation of spontaneous and experimental works as well as other types of performance. Its presenting program hosts high-level professional productions of dance, theater, voice, chamber music, film and spoken word. The arts education outreach for local and neighboring K-12 schools utilizes artists presented from the main Theater Series as well as local performers. The adjacent building is a home for the SMC Music Academy.

  • Client: Santa Monica College
  • Architect: Renzo Zecchetto
  • Completion Year: 2008
  • Location: Santa Monica, California
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 500 seats

Links


San Francisco State University, College of Liberal & Creative Arts

San Francisco State University

College of Liberal & Creative Arts


A new center for the College of Creative Arts will ensure SF State’s place as a hub of creativity for the future.

The new building will sit on the southwest corner of campus along Lake Merced Boulevard and house SF State’s programs in broadcast and electronic communication arts, music, dance and theatre while serving as an important center for performing arts in the region.

The new design will include a 1,200 seat theatre, a smaller proscenium theatre, a studio theatre, a music recital hall and choral and orchestral rehearsal spaces.

  • Client: San Francisco State University
  • Architect: Michael Maltzan Architecture
  • Completion Year: 2014
  • Location: San Francisco, California
  • Acoustician: Nagata Acoustics

Links


Samuel J Friedman Theatre

Samuel J. Friedman Theatre


Samuel J. Friedman (formerly the Biltmore Theatre) on West 47th Street had been vacant since 1987, when it suffered extensive structural and cosmetic damage which put its return to legitimate theatrical use in serious jeopardy.

Originally opened in 1925, the Biltmore was director George Abbott’s favorite venue in the 1930’s, housing his productions of ‘Brother Rat’ and ‘All That Glitters’, among others. The theatre subsequently presented many other distinguished plays and musicals, including My Sister Eileen (1940), The Heiress (1947), Barefoot in the Park (1963) and the landmark musical Hair (1968).

Following a two-year, $35 million dollar capital campaign by Manhattan Theatre Club, the theatre reopened in Fall, 2003. The renovated Biltmore has fewer seats (625, reduced from 1,000) which allowed FDA to design new seating layouts that create more aisle width, wider, more comfortable seats, and better sightlines. New stage lighting and rigging systems were also designed. Notably, Jules Fisher lit the original production of ‘Hair’ at the Biltmore in 1968, and Josh Dachs worked with Jules on the musical’s revival at the Biltmore in 1977.

The Biltmore Theatre won the 2004 Lucy G. Moses Award for Preservation from the New York Landmarks Conservancy.

  • Client: Manhattan Theatre Club
  • Architect: Polshek Partnership
  • Completion Year: 2003
  • Location: New York, New York
  • Acoustician: Jaffe Holden
  • Acoustics
  • Capacity: 625 seats

Links


Saint Paul’s School

Saint Paul’s School


A soaring space for theatre and dance was designed to grace this private school’s lovely hillside campus. The music and adjoining dance buildings were designed as barn-shaped structures to match those in the surrounding countryside. The most noticeable architectural feature of this design is that it comes in two parts: the architect separated the music and dance buildings and connected them by an (invisible) underground base containing rehearsal spaces and offices for both departments.

Multiple levels, interior partitions that look like sets and a flexible configuration helped to make this space easy to set up and reconfigure for different kinds of theatrical presentations.

  • Architect: Hardy Holzman Pfeiffer Associates
  • Completion Year: 1980
  • Location: Concord, New Hampshire
  • Acoustician: Jaffe Holden Acoustics

Links


St. George Theatre

St. George Theatre


Opened in December 1929, the St. George Theatre in its day was the most magnificent theatre on Staten Island — the island’s newest movie and vaudeville house — and it outshone most of its competitors, including Manhattan’s Capitol Theatre on Broadway. Until 1972 the theatre managed to stay open as a movie house, after that it was used as a roller rink, an antiques showroom, and a night club. In 2004, after being padlocked for over 30 years, the theatre became a performing arts center.

Upgrades during Phase I of the current renovations include the design, fabrication, and installation of an entire new rigging system, as well as the design, fabrication, and installation of a new exterior.

  • Client: NYC Department of Design and Construction
  • Architect: W+H Architects
  • Completion Year: 2017
  • Location: Staten Island, New York
  • Capacity: 1,900 seats

Links


Royal Caribbean International – Voyager of the Seas, Royal Promenade

Royal Caribbean International

Voyager of the Seas, Royal Promenade


RCCL’s prototype for its new line of “Voyager” class ships accommodates 3,200 passengers and a 1,200-person crew. The four-story-high, atrium-enclosed, pedestrian street on the luxurious new cruise ship is FDA’s latest venture into entertainment design for signature public space.

This “Royal Promenade,” is lined with a mélange of cafés, boutiques, casinos, and pubs which surprise and delight the passerby with bold theatrical effects from every angle, including overhead. Every evening, parades, jongleurs, buskers, magicians, and mimes mingle with passengers along this space. Atrium-view cabins, which replace viewless “inside cabins” on other ships, afford a clear vista along the promenade, while the Captain’s Bridge is a prime spot for passengers to see and be seen.

The Royal Promenade can be found on the following ships:

  • Voyager of the Seas
  • Navigator of the Seas
  • Mariner of the Seas
  • Explorer of the Seas
  • Adventure of the Seas
  • Client: Royal Caribbean Cruise Lines
  • Architect: Njal R. Eide
  • Completion Year: 1999
  • Location: Miami, Florida
  • Lighting: Fisher Marantz Stone
  • Acoustician: Jaffe Holden Acoustics

Links


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