Lincoln Center for the Performing Arts

Lincoln Center for the Performing Arts

David Geffen Hall, Lincoln Center for the Performing Arts, New York City

For over 30 years, FDA has renovated existing venues on the LCPA campus and designed the newest additions: the Elinor Bunin Munroe Film Center, which allows the Film Society of Lincoln Center to present an even wider range of programming, including films, installations, panels and presentations, as well as performances; the Claire Tow Theater, a black box theatre on the roof of the Vivian Beaumont Theater, a new home for LCT3, the programming initiative devoted to producing the work of emerging playwrights, directors, and designers; and the David Rubenstein Atrium, a vibrant public visitors’ and ticketing facility on Broadway between 62nd and 63rd Streets. We are currently engaged in the re-imagination of David Geffen Hall, formerly Avery Fisher Hall. The concert hall and all public spaces will be transformed, enhancing the concertgoing experience, fostering a sense of community, and creating bold and innovative ways to connect with the world outside.

The success of the venues we design is evident in our continued engagement with LCPA’s resident companies and our ongoing work – now with the folks at David Geffen Hall.

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Stephen Sondheim Theatre

Stephen Sondheim Theatre

Photo Credit: Cook+Fox Architects


The September opening of the new Henry Miller’s Theater with the Roundabout Theater Company’s revival of Bye Bye Birdie marks a notable occasion for New York City. The 1,055 seat theatre is the first entirely new Broadway theater built in the City in over twenty years.

Designed by Cook+Fox Architects in collaboration with theatre consultants Fisher Dachs Associates, the theatre at 124 West 43rd Street (constructed as a part of the Bank of America Tower at Sixth Avenue and 42nd Street) replaces an earlier theater of that same name on this site. The original had suffered decades of haphazard alterations, neglect, and damage during its years as a discotheque in the 1980’s, and could not be saved. The new space will boast numerous amenities, not least of which is its soon to be status as the first green, LEED- certified Broadway performance space in New York.

In addition to meeting the criteria for LEED Gold certification, the theatre is designed to create the highest quality environment for audiences, performers, and production staff and to be a state-of-the-art performance venue.

  • Client: Durst Organization
  • Architect: Cook + Fox
  • Completion Year: 2009
  • Location: New York, New York
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 1,045 seats

Links

Greenhill School | Marshall Family Performing Arts Center

Greenhill School
Marshall Family Performing Arts Center

Photo Credit: ESTO


Named for the Marshall family, the performing arts center creates a new stage for all of the arts and is the focus of the performing arts at the Greenhill School.

The double-height lobby connects all the performance venues and creates a destination for informal performances and spontaneous interaction. The facility includes a 600-seat proscenium theatre, a 150-seat studio theatre, an 80-seat dance and choral hall, a video production and digital media lab, a production studio, two fine arts galleries, an expansive grand lobby, and ancillary teaching and performance spaces. Students’ skills are honed in the learning environments of the theatre spaces, as well as in the classrooms, dressing rooms, costume shop, and scene shop.

  • Client: Greenhill School
  • Architect: Weiss/Manfredi Architects
  • Completion Year: 2016
  • Location: Addison, Texas
  • Acoustician: Jaffe Holden
  • Building Size: 54,000 s.f.
  • Capacity: 600 seats

Links

Rice University | Moody Center for the Arts

Rice University
Moody Center for the Arts

Photo Credit: Nash Baker Photography & Scott Madaski


The Moody Center for the Arts is a building that serves as an experimental platform for creating and presenting works in all disciplines, a flexible teaching space to encourage new modes of learning, and a forum for creative partnerships with visiting national and international artists. Within the interior landscape of the Moody Center a flexible studio space brings diverse programmatic functions into contact with one another.

The first floor of the Moody Center features the Lois Chiles Studio Theater, a 150-seat Studio Theater for performing arts and its support spaces; the skylit Brown Foundation Gallery and central gallery for exhibitions and experimental performances; two media arts galleries; Creative Open Studio; and an interdisciplinary maker lab that includes a wood shop, metal shop, paint booth, rapid prototyping areas and a student classroom. Outside the Brown Foundation Gallery is an outdoor projection wall.

  • Client: Rice University
  • Architect: Michael Maltzan Architecture
  • Completion Year: 2017
  • Location: Houston, Texas
  • Size: 50,000 s.f.
  • Capacity:
    Studio Theater: 150 seats
    Flex Studio: 100 seated, 200 standing

Awards
  • AIA California | Design Honor Award

Links

Related Projects


Hollywood Bowl

Hollywood Bowl


A world-renowned venue for musical performances originally built in the 1920’s, the Hollywood Bowl is the summer home of the Los Angeles Philharmonic and the Hollywood Bowl Orchestra. Its curvilinear acoustical shell is one of the most recognizeable icons in the world.

After a major revival completed in June, 2004,  the current incarnation integrates the state-of-the-art lighting and sound technology, restoring the shell’s clean ucluttered look.  A larger shell, visually anchored on each side; an adjustable, translucent, fiberglass and aluminum acoustic-reflection canopy, or ‘halo’ – with positions for down, side, back and front lighting; accommodations for up to 200 lighting fixtures – ranging from conventional spotlights to robotics, and a 50-foot turntable all designed by FDA now dramatically improve the Bowl’s function.

Both classical musicians and pop artists using the facility now benefit from 30% more stage space to accommodate a full orchestra as well as stage scenery, lighting and sound technology. The Hollywood Bowl also better accommodates a wider range of leased events. All of this was completed  in the Bowl’s eight-month off-season; the official reopening took place on schedule in June, 2004.

  • Client: Hollywood Bowl PAC, LA Dept of Parks and Recreation
  • Architect: Hodgetts + Fung Design Assoc.
  • Arch. of Record: Gruen Associates
  • Completion Year: 2004
  • Location: Los Angeles, California
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 18,000 seats

Links

Lincoln Center for the Performing Arts | David Geffen Hall

Lincoln Center for the Performing Arts
David Geffen Hall

Photo Credit: Michael Moran


Lincoln Center and the New York Philharmonic are planning a re-imagination of David Geffen Hall, formerly Avery Fisher Hall. The concert hall and all public spaces will be transformed, enhancing the concertgoing experience, fostering a sense of community, and creating bold and innovative ways to connect with the world outside.

Diamond Schmitt Architects will design the concert hall and Tod Williams Billie Tsien Architects will design all of the public spaces. The team will create a more intimate venue with state-of-the-art acoustics and flexibility to present orchestra concerts, solo performances, multimedia presentations, and movie screenings. With the new hall at the building’s heart, all public spaces will be reconceived to provide better opportunities for people to gather and connect.

The new hall introduces a “single-room” concept, eliminating the proscenium and moving the stage forward by 25 feet, with audience seating wrapped around it, bringing all seats closer to the performers and providing acoustical and visual intimacy. The new hall’s variable stage configurations are designed to support a wide range of performance initiatives.


Renovations of David Geffen Hall

Avery Fisher Hall – Mostly Mozart Festival ( Completion: 2005)

The temporary transformation for the Mostly Mozart Festival was first unveiled in August 2005 and has been repeated, to critical and popular acclaim, to the present day. A temporary stage installation designed specifically for the Festival places audience members onstage, both on the sides and behind the musicians. The transformation is remarkable. The orchestra has been moved 30′ out into the hall on a platform that extends over what are normally the first eleven rows of seats. Where the stage used to be, and on both sides of the orchestra, there are now 250 seats in tiered rows facing the conductor.

A temporary canopy is suspended above the new orchestra location to provide acoustical reflections to help the musicians hear themselves, and visually reduces the height of the room. A new ring of silk-shaded lighting pendants and a bold red Brazilian bloodwood floor give the stage a warm gentle glow.

Acoustician: Jaffe Holden; Capacity: 2,750 seats

Avery Fisher Stage Renovation ( Completion: 1992)

In the 1991 renovation of the hall, new moveable reflecting surfaces designed as part of a renovation of on-stage acoustics (by Artec) required new stage lighting and rigging systems. To accommodate these new acoustical renovations, FDA redesigned, relocated, and re-installed new stage lighting and rigging systems.

The work was rapidly completed in time for the Philharmonic’s 150th Anniversary concert. Subsequently, the new lighting system was declared a stunning improvement, particularly for the musicians on stage who can now see their music much more effectively and can be seen by the audience in a more appropriate stage lighting environment.

Architect: John Burgee; Arch. of Record: SOM Architects; Acoustician: Artec; Capacity: 2,738 seats

  • Client: Lincoln Center Redevelopment
  • Architect: Diamond Schmitt Architects and Tod Williams Billie Tsien Architects
  • Acoustician: Akustiks
  • Completion Year: 2022
  • Location: New York, New York
  • Capacity: 2,200 seats

Links


Holland Performing Arts Center

Holland Performing Arts Center


A 2000-seat, modified shoebox style concert hall, a 450-seat recital hall, and an open courtyard are the principal features of the Holland Performing Arts Center. This sumptuous new facility is home to the Omaha Symphony, as well as local, national and international programs, education and outreach activities. The intimate 450-seat chamber music hall is designed to be flexible enough to host banquets and double as rehearsal space.

FDA’s involvement began in the programming phase, where we guided the shape of the room and helped to determine the most efficient back-of-house configuration. We suggested side boxes for visual interest and intimacy, and wrapped seating in one continuous band around the rear of the orchestra, allowing audience members seated behind the stage to watch the conductor and musicians. This configuration also creates a sense of visual unity in the room, something the design team enhanced by introducing natural light through clerestory windows.

While programming the new building for its planned uses, FDA also helped renovate Omaha’s historic 2,600 seat Orpheum Theatre, providing the equipment and other requirements to host Broadway tours and create a significantly improved audience environment.

  • Client: Omaha Performing Arts Society
  • Architect: Polshek & Partners
  • Arch. of Record: HDR
  • Completion Year: 2005
  • Location: Omaha, Nebraska
  • Acoustician: Kirkegaard & Associates
  • Capacity: 2,000 seats

Links

Esplanade Arts and Heritage Centre

Esplanade Arts and Heritage Centre


The 700-seat Esplanade Theatre is a magical place. The state-of-the-art acoustic design, orchestra lift, and large stage are capable of accommodating a variety of musical or theatrical performances. Features include a full fly tower, orchestra pit, under floor traps, sound and lighting control booth, box office, plus a “quiet” room that affords a full view of the stage. The theatre will function as a facility for classical music, drama, performing arts, musicals, conferences, graduation ceremonies, community events, and large-scale presentations or lectures.

Located directly across the luxurious Esplanade lobby, the studio theatre provides a smaller venue for performing arts productions catered to a more intimate setting. Also a great rehearsal space, the studio theatre is equipped with sound and lighting to accommodate theatrical, music or dance events for up to 140 people. Tables and chairs could be set up for an informal presentation, reception or meeting.

The Center also includes a City Archival Center, Museum and Discovery Center.

  • Client: City of Medicine Hat
  • Architect: Diamond + Schmitt Architects
  • Arch. of Record: Cohos Evamy Partners
  • Completion Year: 2006
  • Location: Medicine Hat, Alberta
  • Lighting: Crossey Engineering
  • Acoustician: Aerocoustics Engineering
  • Building Size: 115,000 s.f.
  • Capacity: 700 seats

Links

Schermerhorn Symphony Center | Laura Turner Concert Hall

Schermerhorn Symphony Center | Laura Turner Concert Hall


Drawing inspiration from European-style venues, Schermerhorn Symphony Center is the new home of the Nashville Symphony. The ornamental, neo-classical inspired building has 1,860 seats arranged in shoebox configuration. The stage accommodates as many as 115 musicians, and an additional 140 choral seats behind the stage.

A hallmark feature of the Laura Turner Concert Hall is its flexibility. The center section of the main auditorium rests on multiple chair wagons. A platform lift  allows seat wagons to be lowered to a storage level beneath the orchestra level, creating a flat floor for pop concerts, dances, and special events.

“This is a thoroughly modern building wearing somewhat traditional-looking clothing. Beneath its historically-inspired appearance is an incredible contemporary machine with sophisticated technology. We chose equipment for the Hall such as robotic lighting fixtures that you normally see in rock and roll, and there’s a wonderful FDA-designed system to convert the room from a sloped floor to a flat floor.” – FDA Principal Joshua Dachs

  • Client: The Nashville Symphony
  • Architect: David M. Schwarz Architectural Services
  • Arch. of Record: Earl Swensson
  • Completion Year: 2006
  • Location: Nashville, Tennessee
  • Acoustician: Akustiks
  • Building Size: 197,000 s.f.
  • Capacity: 1,860 seats

Awards
  • 2007 Society of American Reg. Architects,Tucker Design Award
  • 2014 Building Stone Institute, Tucker Design Award

Links

Media

Adrienne Arsht Center for the Performing Arts | Knight Concert Hall

Adrienne Arsht Center for the Performing Arts, Knight Concert Hall


Miami’s Adrienne Arsht Center for the Performing Arts is a complex of single purpose state-of-the-art performance halls designed along the lines of New York’s Lincoln Center.

The Sanford and Dolores Ziff Ballet Opera House can accommodate the grand sets and scenery employed in major theatrical productions, including opera, ballet, and Broadway musicals. It is the home for the Florida Grand Opera, Miami City Ballet and “Broadway Across America” Miami.

The complex also houses the Carnival Studio Theater, a flexible intimately designed black-box space for small-scale theater and dance presentations, and the Knight Concert Hall, designed for classical and popular music concerts and serving as the principal venue for Miami’s orchestral groups.

  • Client: Miami-Dade County
  • Architect: Pelli Clark Pelli
  • Completion Year: 2006
  • Location: Miami, Florida
  • Acoustician: Artec
  • Building Size: 570,000 s.f.
  • Capacity: 2,200 seats

Links

Related Projects


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