San Francisco State University, College of Liberal & Creative Arts

San Francisco State University
College of Liberal & Creative Arts


The College of Creative Arts ensures SF State’s place as a hub of creativity for the future.

The building sits on the southwest corner of campus along Lake Merced Boulevard and house SF State’s programs in broadcast and electronic communication arts, music, dance and theatre while serving as an important center for performing arts in the region.

It includes a 1,200 seat theatre, a smaller proscenium theatre, a studio theatre, a music recital hall and choral and orchestral rehearsal spaces.

  • Client: San Francisco State University
  • Architect: Michael Maltzan Architecture
  • Completion Year: 2014
  • Location: San Francisco, California
  • Acoustician: Nagata Acoustics
  • Capacity:
    McKenna Theatre: 701 seats
    Knuth Hall: 322 seats
    Little Theatre: 218 seats

Links


Punahou School, Dillingham Hall

Punahou School, Dillingham Hall


This dramatic contemporary renovation for the Honolulu private preparatory school completely upgraded and improved the theatre. The 800-seat Dillingham Hall was originally built in 1929 as a lecture hall.

Collaborating with Hardy Holzman Pfeiffer, architects for the renovation, FDA designed and specified new stage lighting systems, including controls and distribution, concert lighting, and rigging. Other improvements included a new orchestra shell and renovated support space for back-of-house functions. The facility is used for music and drama.

  • Client: The Punahou School
  • Architect: Hardy Holzman Pfeiffer Assoc.
  • Completion Year: 1994
  • Location: Honolulu, Hawaii
  • Acoustician: Kirkegaard & Associates
  • Building Size: 26,000 s.f.
  • Capacity: 800 seats

Links


Stanford Graduate School of Business, Knight Management Center

Stanford Graduate School of Business
Knight Management Center


Stanford University’s Graduate School of Business moved into their new home, the Knight Management Center, a vibrant, contemporary learning complex, in early 2011. Featuring eight buildings, an underground parking facility and central plaza, the multi-function complex respects Stanford’s architectural tradition while providing greater transparency to showcase the collaborative culture of the GSB.

Academic and lecture spaces in the complex range from intimate meeting rooms to a 600-seat auditorium that serves both Stanford and the larger community, attracting visitors to lectures, films and conferences. FDA ensured optimal sightlines in the room and equipped it with sophisticated projection technology and lighting systems. Natural light can be let in or blocked as needed for the type of event being held.

The Knight Management Center achieved LEED Platinum status.

  • Client: Stanford Graduate School of Business
  • Architect: Boora Architects
  • Completion Year: 2011
  • Location: Palo Alto, California
  • Acoustician: Arup Acoustics
  • Capacity: 600 seats

Links


University of North Texas, Murchison Performing Arts Center

University of North Texas
Murchison Performing Arts Center


University of North Texas’ (UNT) performing arts center is the newest element on a sprawling campus just north of Fort Worth. With its shiny domed roof visible from the highway, the center becomes a gateway to the university. Architectural Record critic David Dillon calls it “a piece of intricate modern music.”

FDA worked closely with the architect and acoustician on both the concert hall and small theatre. The 1,100-seat Margot and Bill Winspear Performance Hall is a room with an intimate feel and superb acoustics for music and a stage which can accommodate ensembles of up to 200. The Lyric Theatre is a 400-seat experimental space that allows almost limitless configurations. Usable floor space measures 50 feet by 90 feet by 40 feet high. Seats on the ground floor can be moved into any part of the house; the stage can be on the north or south wall, or in the center of the room.

FDA helped to plan and design storage, costume design, and dressing rooms on the lower level. A large multilevel lobby, a separate rehearsal hall and a recording studio are part of a generous program that includes student concerts, guest artists, musical theater, opera, and special events. About 1,400 students annually study music at the University.

  • Client: University of North Texas at Denton
  • Architect: Hardy Holzman Pfeiffer Associates
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 1999
  • Location: Denton, Texas
  • Building Size: 72,500 s.f.
  • Capacity:
    Performance Hall: 1100 seat
    Lyric Theatre: 400 seat

Links


Spirit Square

Spirit Square


Built in 1909, this site was originally home to First Baptist Church, but the congregation eventually outgrew the space and moved to a different building in the early 1970s. Community leaders, determined to preserve the historic structure, rallied to preserve the church and began working to transform it into a community arts center. They finally got their wish in 1976 and, after carefully restoring its architectural detail, reopened it as Spirit Square.

The theater, which has retained many elements of its former home — red velvet seating, stained-glass windows, and an Hagia Sophia-like Byzantine dome — is named after legendary Charlotte jazz pianist Loonis McGlohon. Part of the Blumenthal Performing Arts Center, the theatre now provides a smaller, intimate venue, seating only about 700 people, for touring solo acts like Idina Menzel and Bruce Hornsby. McGlohon Theater also plays host to many productions performed annually by local arts groups, such as Carolina Voices.

  • Architect: Hardy Holzman Pfeiffer
  • Arch. of Record: Ogbum and Steever
  • Completion Year: 1980
  • Location: Charlotte, North Carolina
  • Acoustician: Robert Hansen
  • Capacity: 675 seats


University of Michigan, Hill Auditorium

University of Michigan, Hill Auditorium


Designed by Albert Kahn and completed in 1913, Hill Auditorium is a masterpiece of Classic Revival architecture. Transforming an historic gem into a modern performance venue and retaining its original character, the team restored significant architectural details and features, replaced seating to increase patron comfort and accessibility, upgraded building systems to meet code compliance and replaced the building’s mechanical and electrical systems.

The principal challenge was to preserve and restore the building while introducing new stage lighting and rigging systems. In addition to our involvement in performance lighting, rigging, stage and support areas, FDA helped to reconfigure the room for comfort and accessibility for disabled patrons, insuring numerous opportunities for seating throughout the room, regardless of mobility or ADA issues.

The project received an Honor Awards for Outstanding Architecture from the American Institute of Architects (AIA).

  • Client: University of Michigan
  • Architect: Quinn Evans
  • Arch. of Record: Albert Kahn + Assoc
  • Completion Year: 2004
  • Location: Ann Arbor, Michigan
  • Acoustician: Kirkegaard & Associates
  • Capacity: 3,538 seats

Links


Celebrity Solstice Theatre

Celebrity Solstice Theatre

Down the corner from the 1,100-seat main venue, Celebrity Central is a multi-use performance venue designed for the presentation and enjoyment of late-night comedy shows, films, music, and other entertainment in a comfortable, casual atmosphere.

  • Client: Celebrity Cruise Lines
  • Architect: Wilson Butler Architects
  • Completion Year: 2008
  • Location: Miami, Florida
  • Capacity: 200 seats

Links


Related Projects


Florida Atlantic University, Dorothy F. Schmidt College of Arts and Letters

Florida Atlantic University
Dorothy F. Schmidt College of Arts and Letters


The Dorothy F. Schmidt College of Arts and Letters houses rehearsal and laboratory space, galleries and classrooms for fine arts, administrative and academic support areas; an expanded box office to serve the existing Griswold Theatre; a multipurpose room; and a flexible 300-seat experimental theatre.

FDA’s contributions included helping to conceptualize an orchestra shell for the renovated Griswold Theatre and providing detailed drawings and descriptions about requirements and locations for wheelchair accommodations.

  • Client: Florida Atlantic University
  • Architect: Edward L. Barnes & John M.Y Lee
  • Arch. of Record: Schwab, Twitty, Hanser Architects
  • Completion Year: 1995
  • Location: Boca Raton, Florida
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 65,000 s.f.
  • Capacity: 300 seats

Links


Stephen Gaynor School Performing Arts Center

Stephen Gaynor School
Performing Arts Center


The Stephen Gaynor School and Ballet Hispanico are existing, separate institutions that collaborated on the commission of a new 12-story, 50,000 sf building on West 90th Street in Manhattan. The intent of this project is to provide discrete and highly specific spaces for each owner within a shared envelope.

The Gaynor School is a private elementary and middle school for children with learning difficulties, and inhabits the first seven floors, including the gym/cellar. The Ballet expanded their existing facility from their building on 89th Street to include the top three floors above the Gaynor school.

The Gaynor School theater space seats 300, with state-of-the-art lighting and audiovisual systems. Retractable seating allows for more flexible use for other events, including a supplementary service to the gymnasium for soccer practice.

  • Client: Stephen Gaynor School

  • Architect: Rogers Partners

  • Completion Year: 2019

  • Location: New York, New York

  • Lighting: Jim Conti Lighting

  • Building Size: 50,000 s.f.

  • Capacity: 300 seats


Links


Cannon Center for the Performing Arts

Cannon Center for the Performing Arts


The Cannon Center for the Performing Arts at the Cook Convention Center houses a 2,100-seat theatre that is the home of the Memphis Symphony Orchestra. The Center also hosts a wide range of events, including ballet, opera, pop and jazz concerts; touring theatrical productions; childrens’ theatre, and general sessions for conferees attending the Memphis Cook Convention Center.

Renovations of restrooms, elevators, and meeting rooms in the existing building and the addition of an 80,000-pound truck lift to aid in load-ins for Broadway tours, were part of the project.

  • Client: Memphis Cook Convention Center
  • Architect: LMN Architects
  • Arch. of Record: WPA/Pickering
  • Completion Year: 2003
  • Location: Memphis, Tennessee
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 2,100 seats

Links


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