McCarter Theatre Center, The Roger S. Berlind Theatre

McCarter Theatre Center
The Roger S. Berlind Theatre


A second performance space (360 seats) at the McCarter Theatre fulfills the desire for new and varied productions at the Princeton arts center. The Roger S. Berlind Theatre is built on the back of McCarter’s existing space and functions as second stage to the original 1,100-seat house.

FDA has provided the new theatre with a steeply raked seating bank, a large stage, and generous backstage and fly space to accommodate a wide range of contemporary productions. Director Emily Mann wanted an intimate space. “I put my hands together, cupped them and said, ‘I want the audience and the actors to be in the same room. I wanted it to be intimate, for the actors to be able to make eye contact with every member of the audience,” she said.

The new building has a separate entrance and lobby space, dressing and green rooms for up to 26 performers, and two large rehearsal rooms that can be converted to performance spaces. One rehearsal room is designated for the McCarter, the other for Princeton University, McCarter’s partner in this venture. The rest of the facility is shared by the two institutions. The addition of the space has freed up the large theatre for more weeks during the main season, and that in turn has allowed McCarter to present more and different arts events, including music, dance and family shows.

  • Client: McCarter Theatre
  • Architect: Hardy Holzman Pfeiffer
  • Completion Year: 2003
  • Location: Princeton, New Jersey
  • Acoustician: Acentech
  • Building Size: 27,000 s.f.
  • Capacity: 360 seats

Links


France-Merrick Performing Arts Center, Hippodrome Theatre

France-Merrick Performing Arts Center
Hippodrome Theatre


After years of standing empty, this landmark 1914 Thomas Lamb theatre was renovated as the centerpiece of a new downtown performing arts center, which its proponents correctly envisioned would serve as a catalyst for the revitalization of Baltimore’s West Side.

The Hippodrome – with 2,200 seats – is principally a venue for Broadway tours. Ornate side seating boxes, removed during its life as a movie theatre, were reinstated. The existing stage was replaced with a new 100-feet wide and 50-feet deep stagehouse, new rigging and stage lighting systems, and an 80-foot high grid. Expanded lobbies and a special, designated VIP lobby, along with additional rest rooms, were part of the project The Hippodrome now presents.

FDA programmed support facilities, including new dressing rooms, a green room, offices, and ancillary facilities, and designed and specified new stage equipment and lighting systems.

  • Client: Maryland Stadium Authority, Theatre Management Group
  • Architect: Hardy Holzman Pfeiffer
  • Completion Year: 2002
  • Location: Baltimore, Maryland
  • Acoustician: JHS Acoustics
  • Capacity: 2,200 seats

Links


Maui Arts & Cultural Center

Maui Arts & Cultural Center


An extensive, two-year planning study, community surveys, and workshops with an active local arts community of considerable variety and diversity was key to FDA’s theatre planning work on this $32-million cultural complex, which opened in 1994. The complex houses a 1,200 seat theater, 300-seat theater, museum-quality art galleries, a restaurant, performance courtyard, classrooms, offices, shops, and rehearsal spaces for children’s and community theatre groups. An adjacent outdoor amphitheatre with a capacity of 5,000 has featured everyone from Mikhail Baryshnikov to Bob Dylan.

The 1,200-seat Castle Theater has an intimate feel with its balconies wrapping back to the stage. The 300-seat McCoy Theater, configured in the style of “theatre in the round”, is an even more intimate space that lends itself to plays requiring a minimum of scenery and props.

The popular center now hosts a full and remarkably diverse schedule of touring events, locally produced music and dance groups, and classes in fine and performing arts.

  • Client: Maui Arts & Cultural Center
  • Architect: John Hara & Associates
  • Completion Year: 1994
  • Location: Kahalui, Hawaii
  • Acoustician: Kirkegaard & Associates
  • Capacity: 1,200 seats

Links


Royal Caribbean International – Oasis of the Seas, Aqua Theater

Royal Caribbean International

Oasis of the Seas, Aqua Theater


With its Broadway-style stage shows, the first and only ice show at sea, and lively parades leading down the center of its ships, Royal Caribbean International is known for remarkable performances in spectacular venues. In its latest innovation, the progressive cruise line introduces AquaTheater, an impressive outdoor venue at the stern of the world’s largest ship, Oasis of the Seas. Located off the ship’s Boardwalk neighborhood, this amphitheater-style space will celebrate water with a full spectrum of activities and performances throughout the day and into the night with a backdrop of the ocean across the horizon. The first of its kind, AquaTheater will be a complete sensory experience that plays on the element of surprise, as the latest technology and design features amaze guests.

Created to offer two unique environments, guests will be able to swim in the theater’s magnificent kidney-shaped pool, relax on sun loungers located on tiered platforms surrounding the pool, and even participate in SCUBA lessons in the afternoon. At night, audience members witness the venue come alive with heart-pounding performances which feature dramatic acrobatics, synchronized swimming, water ballet, and high-diving performances, as well as fountain shows synchronized to music and lights.

  • Client: Royal Caribbean Cruise Lines
  • Arch. of Record: Wilson Butler Architects
  • Completion Year: 2009
  • Location: Miami, Florida
  • Capacity: 735 seats

Links


Denver Center for the Performing Arts, Boettcher Concert Hall

Denver Center for the Performing Arts
Boettcher Concert Hall


FDA designed concert and stage lighting control systems for this unusual 2,750-seat concert hall in-the-round. Completed in 1978, and about to be dramatically reconfigured with a new design team including FDA, Diamond Schmitt Associates, and akustiks, Boettcher Hall is a lovely, lively, and informal space for music and opera, with a feeling of intimacy surprising in so large a room. Eighty percent of the seats are within 65 feet of the stage, and no member of the audience is seated more than 85 feet away. The stage is large enough for 120 musicians.

Although intended specifically for the Denver Symphony and other concert music presentations more easily presented in the round, Boettcher Hall’s stage and lighting systems were carefully designed to allow the Denver Opera to stage annual productions. Particularly important for the Opera’s requirements were an orchestra pit, floor traps, a stage lighting system and followspot positions, all designed by FDA.

  • Client: Denver Center for the Performing Arts
  • Architect: Hardy Holzman Pfeiffer Associates
  • Completion Year: 1978
  • Location: Denver, Colorado
  • Acoustician: JHS Acoustics
  • Capacity: 2,750 seats

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Related Projects


Mashantucket Pequot Museum & Research Center

Mashantucket Pequot Museum & Research Center


The program for this new facility called for two major components: a museum dedicated to permanent exhibitions describing the history of the Mashantucket Pequot tribe, and a research center containing the world’s largest archive of print and electronic materials on Native American topics. The site is an historic Mashantucket Pequot settlement.

The media center is the nucleus of a Native American television and radio network. A 300-seat theatre FDA helped to plan and design presents live performances of dance, music, storytelling and poetry.

  • Client: Pequot Indian Nation
  • Architect: Polshek & Partners
  • Completion Year: 1997
  • Location: North Stonington, Connecticut
  • Capacity: 300 seats

Links


Hatch Memorial Shell

Hatch Memorial Shell


As part of the restoration and renovation of this landmark, 50-year-old concert shell on the banks of the Charles River, the aging theatrical lighting and acoustical systems were replaced by new fixtures and performance lighting positions. A new flexible stage was also added, replacing the worn-out original. The award-winning update restores and enhances the famous “golden nights” look of the shell’s half-century old lighting fixtures additionally, below-ground support systems, dressing rooms, and offices were reconfigured to address current needs, and a new orchestra riser system and dance platforms were designed and installed.

This beloved landmark serves as the summer home of the Boston Pops, Boston Ballet, and as a venue for music and dance groups, performers and films. The shell is operated by the Boston Metropolitan District Commission.

  • Client: Boston Metropolitan District Commission
  • Architect: Finegold & Alexander Architects
  • Acoustician: Jaffe Holden Acoustics
  • Completion Year: 1991
  • Location: Boston, Massachusetts
  • Capacity: 10,000 seats

Links


Richmond Hill Centre for the Performing Arts

Richmond Hill Centre for the Performing Arts


Opened in February 2009, the Richmond Hill Centre for the Performing Arts is the largest cultural facility of its kind in its region. Located at Yonge and Wright Streets in the heart of Richmond Hill’s downtown core, the 43,000 square foot multi-use cultural facility adds to the vitality of the downtown, provides patrons for local shops and restaurants, and stimulated additional developments in its downtown neighborhood.

Components designed by FDA and architects Diamond Schmitt include: a 631-seat Main Auditorium, the largest seating capacity of any theatre in the York Region; a 150-seat Rehearsal Hall with a flexible configuration for interactive presentations, dinner theatre, award ceremonies and corporate events; Lobby Galleries to display an array of visual arts, an Outdoor Piazza perfect to exhibit large-scale art and to bring productions and presentations in the open air, and multipurpose rooms for meetings, classrooms etc.

The Centre provides a home for Richmond Hill’s diverse arts organizations and brings both Canadian and international performing and visual arts to the region.

  • Client: City of Richmond Hill
  • Architect: Diamond + Schmitt Architects
  • Completion Year: 2008
  • Location: Richmond Hill, Ontario
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 43,000 s.f.
  • Capacity: 600 seats

Links


Marlborough College, Memorial Hall

Marlborough College, Memorial Hall


Memorial Hall is Marlborough College’s principal memorial to the 749 men who gave their lives in World War I. The hall was built by Messrs Holloways of London at a cost of £53,000. The design was the result of a competition between Old Marlburian architects, the adjudicator being Sir John Simpson, President of the Royal Institute of British Architects. The winning design was that of William Newton. It was opened by H.R.H. The Duke of Connaught on May 23, 1925.

The hall stands to the west of the Court (at the center of the College) and is linked to the chapel by means of stone steps leading down to the its brick-paved forecourt. It was originally designed to have a maximum capacity of about 800. The hall itself comprises a semi-circular auditorium of stepped seats with an ambulatory at the rear to allow inspection of the 749 names carved in alphabetical order and without reference to rank around the inside of the back of the hall. At the back of the building, there is a separate entrance giving access to a series of music practice rooms located under the ambulatory.

Today the Memorial Hall is used for assemblies; some musical events, including the Marlborough College Concert Series; and other entertainment events such as the House Shout and the pupil-led Illumination.

Nearly 100 years of constant use has taken its toll. Diamond Schmitt Architects and FDA restored this magnificent building while also incorporating state-of-the-art technology to support the performing arts — a £5M project. The restoration was completed in time to commemorate the end of the First World War in July 2018.

  • Client: Marlborough College
  • Architect: Diamond Schmitt Architects
  • Completion Year: 2018
  • Location: Marlborough, Wilts, United Kingdom
  • Capacity: 560 seats

Links


Harvard University | Lowell Hall

Harvard University | Lowell Hall


To create a new 352-seat performance space for music and a larger, more comfortable lobby, a portion of the old pitched floor was demolished in an existing university lecture hall building originally built in 1902. The floor height was raised to create a sufficiently large rehearsal and performance area, and a new maple floor laid over three feet of fiberglass fill to create acoustic separation from the rehearsal/seminar space in the basement.

The seating creates an intimate, theatre-in-the-round experience that works for both performances and lectures. New raised seating risers improve sightlines and relate well to the balcony above. A “performance wall” provides a screen with hinged doors for hidden instrument storage.

In the balcony, re-configured and raised seating risers improve sightlines, and perimeter acoustical curtains provide variable acoustical control for speech and music, and room darkening for lectures.

  • Client: Harvard University
  • Architect: Robert Olson & Associates
  • Completion Year: 1994
  • Location: Cambridge, Massachusetts
  • Acoustician: Kirkegaard & Associates
  • Capacity: 352 seats

Links


Related Projects


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