Cannon Center for the Performing Arts

Cannon Center for the Performing Arts


The Cannon Center for the Performing Arts at the Cook Convention Center houses a 2,100-seat theatre that is the home of the Memphis Symphony Orchestra. The Center also hosts a wide range of events, including ballet, opera, pop and jazz concerts; touring theatrical productions; childrens’ theatre, and general sessions for conferees attending the Memphis Cook Convention Center.

Renovations of restrooms, elevators, and meeting rooms in the existing building and the addition of an 80,000-pound truck lift to aid in load-ins for Broadway tours, were part of the project.

  • Client: Memphis Cook Convention Center
  • Architect: LMN Architects
  • Arch. of Record: WPA/Pickering
  • Completion Year: 2003
  • Location: Memphis, Tennessee
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 2,100 seats

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California Institute of the Arts | Walt Disney Modular Theatre

California Institute of the Arts

Walt Disney Modular Theatre


The Modular Theatre – FDA’s first project at Cal Arts – opened more than 35 years ago. Highly innovative for its time, it was designed with four integrated systems, all of them moveable: floor, walls, lights and hoists for flying scenery. These systems offer incredible flexibility for mounting extremely varied types of drama, music and dance performances. The first year of its use, for example, the theatre hosted concerts, dance programs, Shakespearean drama, and modern plays.

The stage floor consists of modules, each four feet square, which are pneumatically adjusted to varying heights. A panelized wall system allows entrances from virtually any point, and a compact, portable winch can be positioned anywhere on the grid. Still actively in use and recently renovated, it is considered one of the most innovative teaching theatres of its kind.

Cal Arts has also just opened and FDA has helped to design REDCAT, a new 200-seat theatre in the lower level of Disney Concert Hall in Los Angeles. Initially, at the request of Cal Arts, FDA studied the feasibility of adding a 500-seat theatre, multimedia performance laboratory, rehearsal and support space to the existing arts complex.

  • Client: California Institute of the Arts
  • Architect: Ladd & Kelsey Architects
  • Completion Year: 1973
  • Location: Valencia, California

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C. W. Post College, Long Island University | Tilles Center Concert Hall

C. W. Post College, Long Island University

Tilles Center Concert Hall


When the domed roof of its 3,000-seat assembly hall collapsed during a tornado in 1978, the trustees of Long Island University were faced with the decision to rebuild or abandon the facility. They decided to renovate and rebuild, re-designing the hall in the process as a far superior facility for concert music, theatre, and dance.

The building’s architects reconfigured the angled walls within the existing circular shell to better distribute sound in the concert hall. The new focus of the room became a series of reflective, hinged ‘ribbons’ that float from the back of the stage. Other elements in the new kit of parts designed with FDA’s help include a spidery lighting platform, an orchestra pit on a lift, a sprung resilient dance floor and new computer-controlled lighting.

The hall has been hailed for its warm, rich, and enveloping sound by a variety of performers and critics, from conductor Zubin Mehta to diva Marilyn Horne.

  • Client: Long Island University
  • Architect: Mitchell/Giurgola
  • Completion Year: 1982
  • Location: Greenvale, New York
  • Capacity: 3,000 seats

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Byham Theater

Byham Theater


The 1050 seat Byham Theatre is one of the jewels of the Pittsburgh Cultural district. In the 1990’s, the 1903 theatre underwent a series of renovations. 1995 brought new restrooms, an expanded box office, a new marquee, lobby enhancements, and an elevator. In 1999, the height of the fly tower was increased by 20 feet, and the original rope and sand bag rigging was replaced by new manual counterweight rigging. The 1999 renovation also included new lighting, enlargement of the orchestra pit and a new building-wide HVAC system.

  • Client: Pittsburgh Cultural Trust
  • Architect: MacLachlan Cornelius & Filoni
  • Completion Year: 1999
  • Location: Pittsburgh, Pennsylvania
  • Capacity: 1,727 seats

Links


Bushnell Center for the Performing Arts, The Maxwell M. and Ruth R. Belding Theater

Bushnell Center for the Performing Arts

The Maxwell M. and Ruth R. Belding Theater


One of Connecticut’s premier performing arts centers, the Bushnell Center has a 70 year history. Since 1930, many of the world’s most talented singers, dancers and actors – such as Pavarotti, Baryshnikov, Katherine Hepburn and Judy Garland – have performed on its stage.

The Belding Theater was added to the Bushnell Center in in 2001. FDA contributed both to the planning and design of this new, state-of-the-art performance hall. A planning study confirmed the need for an expanded venue, and the resulting expansion added a 900-seat theater to the historic 2,000 seat Art Deco-style auditorium. The new theatre has a stage house 92-foot-wide and 42-foot-deep; beautifully designed orchestra, mezzanine and private box seating, and expanded and enhanced patron and performer amenities.

Other features include a new rehearsal hall that holds special events, VIP patron lounges, and significantly expanded lobbies and restrooms. This new, smaller stage provides local organizations with a high-quality facility for a diverse range of arts and community presentations, and frees approximately 25 dates in the larger hall by transferring programming better suited to presentation in a smaller facility.

  • Client: The Bushnell Theatre
  • Architect: Wilson Butler Architects
  • Completion Year: 2001
  • Location: Hartford, Connecticut
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 907 seats

Links


Burlington Performing Arts Centre

Burlington Performing Arts Centre

Photo Credit: Studio Shai Gil


The Burlington Performing Arts Centre is located at the corner of Elgin and Locust streets in downtown Burlington. The design of the centre is the product of extensive public consultation. The Burlington Performing Arts Centre is not only an excellent venue for performances, it is also a much-needed community gathering space capable of hosting conferences and community events.

The Burlington Performing Arts Centre has three principal areas:

The Main Stage Theatre: This area seats up to 730 people in the orchestra and balcony levels. The theatre incorporates superior acoustic and excellent site lines for every seat in the house.

The Studio Theatre: This area hosts small-scale theatre performances for audiences up to 225 or dinner theatre for up to 150. In addition, the studio’s 2,500 square feet of flat floor space accommodates rehearsals, small receptions, meetings, recitals, and rotating exhibits, and can be used as a holding area for large stage productions.

  • Client: City of Burlington
  • Architect: Diamond Schmitt Architects
  • Completion Year: 2011
  • Location: Burlington, Ontario
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 62,000 s.f.
  • Capacity: 718 seats

Links


Broward Center for the Performing Arts | Au-Rene Theater

Broward Center for the Performing Arts
Au-Rene Theater


A close and creative collaboration among members of the design team on programming, hall design, backstage layouts, and stage and lighting equipment resulted in the acclaimed design for the Broward Center in Fort Lauderdale. Today it is considered one of the most successful performing arts complexes in the southeastern United States.

The 2,700-seat multipurpose Au-Rene theatre, principally designed for touring shows, the Florida Grand Opera, classical music, and dance, has a traditional horseshoe configuration with a mezzanine and balcony surrounding the orchestra seating and tiers of boxes at the sides of the proscenium. A second, 500-seat theater is extensively used by community groups and for a range of smaller presentations, such as chamber music and touring events. This two-theatre complex is the centerpiece of an eleven-acre park which has played a key role in helping to revitalize this neighborhood on Fort Lauderdale’s New River.

FDA worked with the owner and architect to write the program, collaborated on the design of both halls and their backstage layouts, and designed and specified stage equipment for the two state-of-the-art theatres.

  • Client: PAC Authority
  • Architect: Benjamin Thompson & Associates
  • Completion Year: 1991
  • Location: Fort Lauderdale, Florida
  • Acoustician: Kirkegaard & Associates
  • Building Size: 200,000 s.f.
  • Capacity: 2,700 seats

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Related Projects


Broward Center for the Performing Arts | Amaturo Theater

Broward Center for the Performing Arts
Amaturo Theater


Close collaboration among members of the design team on programming, hall design, backstage layouts, and stage and lighting equipment resulted in the acclaimed design for the Broward Center in Fort Lauderdale. After more than 15 years it is still considered one of the most successful performing arts complexes in the southeastern US. The Center comprises a 2,700 seat multipurpose hall, the Au-Rene Theatre, and a smaller space known as the Amaturo.

At 585 seats, the Amaturo is an ideal size for community ensembles, chamber music, readings, and certain touring events. This two-theatre complex is the centerpiece of an eleven-acre park on the New River.

FDA worked with the owner and architect to define the program for the entire complex, collaborated on the design of both halls and their backstage layouts, and designed and specified stage equipment for these two state-of-the-art theatres.

  • Client: PAC Authority
  • Architect: Benjamin Thompson & Associates
  • Completion Year: 1991
  • Location: Fort Lauderdale, Florida
  • Acoustician: Kirkegaard & Associates
  • Building Size: 200,000 s.f.
  • Capacity: 585 seats

Links


Related Projects


Broward Center for the Performing Arts

Broward Center for the Performing Arts (Renovation)


Close collaboration among members of the design team on programming, hall design, backstage layouts, and stage and lighting equipment resulted in the acclaimed design for the Broward Center in Fort Lauderdale when it opened in 1991. FDA worked with the owner and architect to define the program for the entire complex, collaborated on the design of both halls and their backstage layouts, and designed and specified stage equipment for the two state-of-the-art theaters.

In 2014, renovations and an expansion were completed. The Au-Rene Theater received a makeover with new stage lifts and seating wagons; upgraded rigging, lighting and systems; and new seats (now with cup holders). The seating capacity was reduced from 2,687 to 2,660, in part due to the reconfiguration of the mezzanine to allow for wider seats with drink holders in the new Club Level, which will have 71 seats. The Club Level offers patrons the opportunity to the Au-Rene stage from a richly furnished room behind the mezzanine, where they can enjoy food, drink, and the opportunity to stretch their legs rather than being “trapped in a seat for the duration.” Lobbies have been updated, and the courtyard has been renovated, and the smaller Amaturo Theater, which seats 590, have been renovated and received a stage lighting systems upgrade.

The expansion includes the new Rose Miniaci Arts Education Center, which features classrooms and a coaching studio, integrated technologies for distance learning and the JM Family Studio Theater with retractable seating for teaching, rehearsals, recitals, and intimate performances. The new Huizenga Pavilion features a 70-seat bistro and the the Porter Riverview Ballroom.

  • Client: PAC Authority
  • Architect: Benjamin Thompson & Associates
  • Completion Year: 1991
  • Location: Fort Lauderdale, Florida
  • Acoustician: Kirkegaard & Associates
  • Building Size: 200,000 s.f.

Links


Related Projects


Brock University | Marilyn I. Walker School of Fine and Performing Arts

Brock University

Marilyn I. Walker School of Fine and Performing Arts


After a multi-stage design competition, Brock University selected Diamond Schmitt Architects and Fisher Dachs Associates to design the new 95,500sf facility, which is home for the school’s Departments of Music, Visual Arts, Dramatic Arts, and the Centre for Studies in Art and Culture.

This adaptive reuse of the 19th-Century Canada Hair Cloth Building, which is adjacent to the city’s new Performing Arts Centre site (also in design by Diamond Schmitt and FDA), forms Brock University’s piece of a $94M arts hub. The project was a long-planned cultural stimulus for the City of St. Catharines, contributing to the city’s cultural and economic development. Currently situated in Brock University’s main campus at the south end of St. Catharines, the theatre program along with 500 students and faculty will relocate to the new facility.

One of the centerpieces of the school is a 280-seat flexible studio theatre, to be used both by the school and as one of many civic gathering spaces that the University has planned to support the community. The existing building was completely renovated to suit its new purpose with classrooms, teaching studios, staff offices, and related support space.

  • Client: Brock University
  • Architect: Diamond Schmitt Architects
  • Completion Year: 2015
  • Location: St. Catharines, Ontario
  • Acoustician: Jaffe Holden Acoustics

Links


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