Civic Center Music Hall, Thelma Gaylord Performing Arts Theatre

Civic Center Music Hall
Thelma Gaylord Performing Arts Theatre


As part of a $300-million downtown renewal plan for Oklahoma City, the 240,000 square-foot Civic Center, an Art Deco structure built in 1937, was completely transformed and a new performance facility created. The Civic Center began as a 6,000 seat auditorium. In the 1960s, a 3,000-seat venue was built within the walls of the original auditorium. In this latest transformation, the building’s interior was gutted and a lively new interior created for a 2,500-seat multipurpose theatre. Audiences returning to the Civic Center have found a seemingly unchanged building exterior, only to encounter, in the lobby and theatre, a completely new space, literally a ‘building within a building.’

To improve loading to the stage and increase the acoustical volume without raising the existing roof, the theatre and acoustical consultants lowered the stage elevation by ten feet. Backstage support spaces as well as accommodations for rehearsal and warm-up were significantly enhanced. The renamed Thelma Gaylord Performing Arts Theatre is the home of the Oklahoma City Philharmonic, the Canterbury Choral Society, and Ballet Oklahoma and the local venue for Broadway touring events.

  • Client: City of Oklahoma City
  • Architect: Polshek Partnership
  • Arch. of Record: Richard B. Brown Associates
  • Completion Year: 2001
  • Location: Oklahoma City, Oklahoma
  • Acoustician: Jaffe Holden Acoustics
  • Building Size: 240,000 s.f.
  • Capacity: 2,500 seats

Links


Lincoln Center for the Performing Arts | David Rubenstein Atrium

Lincoln Center for the Performing Arts
David Rubenstein Atrium


The David Rubenstein Atrium, a vibrant public visitors’ and ticketing facility on Broadway between 62nd and 63rd Streets, is open daily with an array of services for local residents, the general public, and the thousands of people who visit Lincoln Center and the surrounding community every day.

Formerly known as the Harmony Atrium, it is one of approximately 503 Privately Owned Public Spaces (POPS) in New York City created under a longstanding program that offers zoning incentives for buildings to provide accessible public spaces. The Harmony Atrium was originally conceived as a lively gathering place for local residents as well as visitors, and The David Rubenstein Atrium proudly fulfills this original vision, hosting regular film screenings, informal gatherings and multimedia performances.

The facility is named in honor of the philanthropist, financier, and Vice Chairman of Lincoln Center for the Performing Arts David Rubenstein, in recognition of his $10 million gift to the Bravo Campaign. The Tod Williams Billie Tsien design reflects a respect for the materials used throughout Lincoln Center and provides an open, accessible, and inviting environment.

  • Client: Lincoln Center for the Performing Arts
  • Architect: Tod Williams and Billie Tsien
  • Completion Year: 2009
  • Location: New York, New York
  • Capacity:
    Seated: 150
    Reception: 250

Links

Ohio State University, Wexner Center for the Arts

Ohio State University, Wexner Center for the Arts


The iconic Wexner Center for the Arts, at Ohio State University in Columbus, Ohio provides a diverse array of contemporary arts for its visitors.

The Center opened in November 1989. Conceived as a research laboratory for all the arts, it has emphasized commissions of new works and artist residencies since its inception. Its multidisciplinary programs encompass performing arts, exhibitions, and media arts (film/video) and have focused on cutting-edge culture from around the globe. The black box theatre, above, has housed a wide array of avant-garde performances.

The building was designed by architects Peter Eisenman of New York and the late Richard Trott of Columbus with Philadelphia landscape architect Laurie Olin.

  • Client: Wexner Center for the Arts
  • Architect: Peter Eisenman
  • Arch. of Record: Richard Trott
  • Completion Year: 1989
  • Location: Columbus, Ohio
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 200 seats

Links


Corning Museum of Glass

Corning Museum of Glass


Corning Corporation commissioned architects Smith-Miller Hawkinson design the new Corning Glass Center. The architects turned to FDA for help planning, designing and equipping the museum’s theatre.

The project’s first phase included transforming the former multi-purpose performance space at the Glass Center into a 770-seat performing arts facility.

The Museum sought a versatile venue in which to hold performances, fund-raisers and a wide range of special events, lectures, and recitals. To provide this flexibility, FDA designed a room with a series of retractable seats and lifts, creating a space that transforms from a concert hall into a 600-seat banquet hall.

Winner: 1998 Honor Award, U.S. Institute of Theatre Technology

  • Client: Corning Museum of Glass
  • Architect: Smith Miller + Hawkinson
  • Completion Year: 1997
  • Location: Corning, New York
  • Building Size: 117,400 s.f.
  • Capacity: 770 seats

Links


University of North Carolina School of the Arts, Watson Chamber Music Hall

University of North Carolina School of the Arts
Watson Chamber Music Hall


The Judy and Bill Watson Chamber Music Hall was designed by renowned acoustician Rein Pirn and architects Calloway Johnson Moore West. The 292-seat hall was designed specifically for chamber music.

The shape of the Hall echoes the curves of a violin and was designed with acoustic curtains that can be manipulated to change its acoustic properties. A special “high volume, low velocity” HVAC system was designed to minimize ambient noise.

The new complex serves as both performance and teaching venue, and includes two new large rehearsal rooms, a lobby, box office, green room, dressing rooms, administrative offices and faculty teaching studios.

  • Client: University of North Carolina School of the Arts
  • Architect: CJMW – Calloway Johnson Moore West
  • Completion Year: 2003
  • Location: Winston-Salem, North Carolina
  • Acoustician: Rein Pirn
  • Capacity: 292 seats

Links


Wellesley College, Barstow Stage at Alumnae Hall

Wellesley College, Barstow Stage at Alumnae Hall


Ann Beha Architects’ comprehensive renovation and restoration of the Diana Chapman Walsh Alumnae Hall at Wellesley College has rejuvenated a special College resource. Alumnae Hall did not meet the needs of contemporary performance or College gatherings, compromised by poor sight lines, acoustics, accessibility, and no lobby or rehearsal spaces. Alumnae Hall now serves new audiences and programs, reflects the College’s commitment to its historic resources, and integrates contemporary design and new academic and community programming within the historic setting.

To provide a welcoming lobby space, the Design Team reconsidered the arcaded portico at the Hall’s north entry. The original bluestone floor was salvaged and raised to the level of the main auditorium corridor. New glass panels and doors were carefully inserted into the original limestone portals, providing a well lit gathering space for arriving audiences.

In the auditorium, the floor was re-poured and re-raked, and new staggered seating installed, configured to improve circulation, sight lines, and accessibility. Original wall and ceiling murals were discovered in the attic, as well as original glass and brass chandeliers, which were refurbished, supplemented with energy efficient accent lighting. Onstage, new rigging, theatre lighting, and audio-visual systems support lectures and theatrical productions.

  • Client: Wellesley College
  • Architect: Ann Beha
  • Acoustician: Kirkegaard Associates
  • Completion Year: 2010
  • Location: Wellesley, Massachusetts
  • Capacity: 1,000 seats

Links


Alaska Center for the Performing Arts (Stage Lighting Upgrade)

Alaska Center for the Performing Arts

(Stage Lighting Upgrade)


Alaska Center for the Performing Arts, located in Anchorage, opened its doors to the public in 1988. Until Labor Day of 2007, it had the same stage lighting controls that were installed 20 years prior with FDA’s help, that has changed.

FDA was hired to upgrade the Alaska Center’s obsolete stage lighting controls with a state-of-the art control system to handle today’s sophisticated Broadway touring shows and local productions. A key goal was to keep programming time during costly rehearsals to a minimum. To accomplish this goal FDA specified three new high-end lighting control consoles, designed to handle the most complex lighting rigs with a user-friendly operating system.

The system includes a fiber-optic backbone between major components, along with an extensive Ethernet network throughout each theatre. This network allows any DMX device to be easily added to the system and be controlled from the lighting control console; it also gives leased events the flexibility to bring their own lighting control consoles and DMX devices. A wireless hand-held remote unit allows the stage lighting crew to work throughout the facility.

  • Client: Alaska Performing Arts Center
  • Completion Year: 2007
  • Location: Anchorage, Alaska
  • Capacity:
    Evangeline Atwood Concert Hall: 2,056 seats;
    Discovery Theatre: 697 seats;
    Sydney Laurence Theatre: 340 seats

Links


Columbia University, Miller Theatre

Columbia University, Miller Theatre


A renovation and redesign of the existing theatre vastly increased the flexibility for concert events at the university’s 700-seat theater. In addition to expanding on-stage and backstage areas, FDA designed and specified new stage lighting equipment compatible with the shape and form of the space, and reshaped the interior seating plan to improve sightlines.

The project received a Certificate of Excellence in Design from the New York Chapter of the American Institute of Architects.

  • Client: Columbia University
  • Architect: Mayers & Schiff Associates
  • Completion Year: 1988
  • Location: New York, New York
  • Capacity: 700 seats

Links


Prospector Theater

Prospector Theater


The Prospector Theater is a nonprofit movie theater in Ridgefield, CT. This brand-new theater was built on the location of the original Ridgefield Playhouse, which opened as the town’s first movie house in 1940 and had been renovated and used as a bank for some 25 years until it was repurchased in 2000 by the Ridgefield Library for its expansion.

All the elements of the Prospector Theater are consistent with its mission of providing vocational training and meaningful job opportunities to adults with disabilities. The largest theater is 162 seats, and the smallest is 16 seats — ideal for people with sensory issues who may not be able to enjoy a movie in the larger theaters. Each theater has accessible seats at prime viewing angles, mixed with the regular theater chairs so that friends and family can enjoy movies together. The industry’s best adaptive technologies are available for hearing and visually impaired patrons.

It was important to create a space that isn’t just beautiful and functional, but also relevant during daytime hours. Many adults with disabilities have limited access to transportation, relying on their parents, caregivers, or public transit to get them to where they need to go. For this reason, it was a priority to deliver extra incentives for daytime patronage.

  • Architect: DCA Architects
  • Completion Year: 2014
  • Location: Ridgefield, Connecticut
  • Capacity:
    Theater 1: 167 seats
    Theater 2: 100 seats
    Theater 3: 67 seats
    Theater 4: 16 seats

Links


Lincoln Center for the Performing Arts, Vivian Beaumont Theater

Lincoln Center for the Performing Arts
Vivian Beaumont Theater


Architect Hugh Hardy led the $16 million renovation of the Vivian Beaumont Theatre with Fisher Dachs Associates. A traditional proscenium configuration in the space was eschewed for a modern thrust stage with stadium-style seating for 1,080.

Other improvements to the space include new HVAC and air circulation systems, wheelchair accessibility in the lobby, a much larger lighting grid with over 80 available positions, and semi-circular catwalks for the designers to use. (The previous walks were rectangular, making their use awkward, considering the circular Beaumont and Newhouse stages.)

  • Client: Lincoln Center
  • Architect: Hardy Holzman Pfieffer
  • Completion Year: 1998
  • Location: New York, New York
  • Acoustician: Jaffe Holden Acoustics
  • Capacity: 1,080 seats

Links

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