Lotte Concert Hall

Lotte Concert Hall


Designed to be a first class venue for symphonic music, the Lotte Concert Hall is arranged as a surround hall, with 2,000 seats encircling a generous stage sized for a full-size orchestra and chorus. The concert hall, designed with dmp Architects, sits atop six mixed-use floors in a supertower designed by KPF Architects that contains offices, a hotel, residential units, retail, and other amenities. A major symphony hall integrated into a thriving mixed-use tower, Lotte Concert Hall is the first of its kind in Seoul, and will bring top-tier cultural events into the mix of activities residents and visitors expect from their experience in such a building. The design of the room features motorized orchestral riser stage lifts, automated lighting battens for theatrical lighting, deployable film screens and projectors, motorized variable acoustics banners, and extensive back-of-house support for visiting orchestras and artists. Lotte World Tower is a 123-floor, 556-meter skyscraper in the second-generation Lotte World complex in Seoul, South Korea. It is one of the tallest skyscrapers in the world, surpassing One World Trade Center in New York City and housing the tallest observation deck in the world on its 123rd floor at 497.6 meters.

  • Client: Lotte
  • Architect: dmp Architects
  • Completion Year: 2016
  • Location: Seoul, Korea
  • Acoustician: Nagata Acoustics
  • Building Size: 142,000 s.f.
  • Capacity: 2,000 seats

Links

Stanford University | Bing Concert Hall

Stanford University | Bing Concert Hall


FDA began working with Stanford University and its local presenting group, Stanford Lively Arts, during the early planning stages of the Performing Arts Center project. During extensive interviews with stakeholders, school user groups, administration, and facilities departments, the team planned the hall to be a true partnership between Stanford’s performing arts and music departments and Stanford Lively Arts. In addition to achieving acoustical excellence, the client’s objectives for the hall recognized the changing nature of classical music performance. Soloists, orchestras, and chamber groups are increasingly experimenting with visual media, lighting, and movement, and the hall has been carefully designed to facilitate these more theatrical types of musical presentations. In addition, there was a strong desire to make an informal space that would break down the real and implied barriers that separate audiences and performers in so many halls. This desire contributed to keeping the seating capacity low so that no one is very far away from the stage. The decision to adopt a surround-style arrangement and to place the musicians at the same floor level as the front row of seats provides exciting perspectives on the musicians, allowing the audience to see the conductor from the musicians’ point of view and to watch the subtle interactions between artists up close. The result is a hall in which the audience and musicians share an intimate space and can hear, see, and feel the music together.

  • Client: Stanford University
  • Architect: Ennead Architects
  • Completion Year: 2012
  • Location: Palo Alto, California
  • Acoustician: Nagata Acoustics
  • Capacity: 844 seats

Awards
  • LEED Gold certified
  • 2014 Association of the Wall and Ceiling Industry
  • Excellence in Construction Quality Award
  • 2014 ENR Best of the Best: Speciality Contracting
  • 2014 USITT Architecture Merit Award
  • 2013 AIA NY Chapter Merit Award for Excellence in Arch.
  • 2013 AIA NYS Citation for Design
  • 2013 Architizer A+ Awards Special Mention
  • 2013 Excellence in Structural Engineering Award
  • 2013 Illuminating Engineering Society
  • IES Lighting Control Innovation Award of Merit
  • 2013 SCUP and AIA Committee on Architecture for Education
  • Merit Award for Excellence in Arch. for a New Building
  • 2013 Society of American Registered Architects,
  • National Council: Bronze Design Award
  • 2013 Society of American Registered Architects California
  • Council: Design Award of Excellence
  • 2013 The Chicago Anthenaeum American Architecture Award

Links

Article

Media

Related Projects


Lincoln Center for the Performing Arts | Alice Tully Hall

Lincoln Center for the Performing Arts
Alice Tully Hall

Photo Credit: Iwaan Baan


FDA collaborated with architects Diller Scofido + Renfro and FXCollaborative on the renovations of The Juilliard School and Alice Tully Hall, part of a larger redesign of West 65th Street and a revitalization of the campus. With the work completed, Alice Tully Hall is now technically, acoustically, and aesthetically transformed; additionally, DS+R has designed modifications to the building facades along Broadway and 65th Street that  break down the fortress-like quality of the Juilliard building and reveal the vibrant life within. FDA’s work has included detailed program development and collaboration on the design of the hall, public areas, and backstage support spaces throughout the Juilliard / Tully building on the Lincoln Center campus in New York.

Alice Tully Hall (with a seating capacity of just under 1100) was built as a concert hall. The present work makes the room more flexible for a wide range of leased events and an expanded range of performance types.

  • Client: Lincoln Center Development Project
  • Architect: Diller Scofidio + Renfro in collaboration with FXCollaborative
  • Completion Year: 2009
  • Location: New York, New York
  • Acoustician: Jaffe Holden
  • Capacity: 1,087 seats

Awards
  • LEED certified
  • 2010 American Institute of Architects, Honor Award for Architects
  • 2010 American Institute of Steel Construction/IDEAS Awards National Award
  • 2010 Gold Construction Award, Ceilings & Interior Systems Construction Association
  • 2010 Ontario Steel Design Award of Excellence
  • 2010 MASterworks Award
  • 2009 AIA New York State, Award of Merit, Institutional
  • 2009 AIA New York Chapter Design Honor Award
  • 2009 New York Construction Magazine, Cultural Project of the Year
  • 2009 P/A Award
  • 2009 Society of American Registered Architects

Links

Park Avenue Armory | Philharmonic 360

Park Avenue Armory | Philharmonic 360


The New York Philharmonic explored the spatial qualities of the Armory’s soaring, 55,000-square-foot Wade Thompson Drill Hall with four iconic works in which the orchestra members surround the audience. The centerpiece of the evening was the rarely-performed Gruppen by Karlheinz Stockhausen — a work that requires three orchestras and three conductors. Also on the program were Pierre Boulez’s Rituel in Memoriam Bruno Maderna, the Finale of Act I from Mozart’s opera Don Giovanni, and Charles Ives’ The Unanswered Question.Fisher Dachs Associates designed the theatrical arrangement of seating and staging for the production.

  • Client: Park Avenue Armory
  • Completion Year: 2012
  • Location: New York, New York
  • Capacity: 1,450 seats

Links

Articles

Media

Related Projects


Mariinsky II Opera House

Mariinsky II Opera House


The Diamond Schmitt / KB ViPS building, with its 2,000 seats, will complement the extant 1,600-seat Mariinsky – completed in 1860 and home to what used to be known as the Imperial Russian Ballet – and the nearby Mariinsky Theatre Concert Hall, which was designed by French architects Xavier Fabre and opened in spring 2007 with room for 1,100 patrons. The completion of the new Mariinsky will result in what some have called St. Petersburg’s equivalent of New York’s Lincoln Center.

The Mariinsky commission derives directly from Toronto’s Four Seasons Centre for the Performing Arts which Diamond + Schmitt designed, on a $186-million budget, as the home of the Canadian Opera Company and the National Ballet of Canada.

The Mariinsky’s Mr. Gergiev was taken on a tour of the centre by the then-COC artistic director Richard Bradshaw in February, 2007, while visiting as guest conductor for the Toronto Symphony Orchestra. Mr. Gergiev was impressed by the building’s universally admired acoustics and, more importantly perhaps, its practicality –  it was smart, effective, very beautiful and finally, not the most expensive.

  • Architect: Diamond Schmitt Architects
  • Arch. of Record: KB ViPs
  • Completion Year: 2013
  • Location: St. Petersburg, Russian Federation
  • Lighting: Crossey Engineering
  • Acoustician: Mueller – BBM
  • Capacity: 2,000 seats

Awards
  • 2014 The Edwin F. Guth Memorial Award
  • 2015 Ontario Asc. of Architects – Design Excellence Award
  • 2013 Global Engineering Structural Award—The Feature Stairs

Links

Media

Tobin Center for the Performing Arts

Tobin Center for the Performing Arts


FDA worked with the Bexar County Performing Arts Center Foundation, LMN Architects, and community arts groups in a collaborative process to create the new Center. The PAC, which is a renovation and expansion of the historic San Antonio Municipal Auditorium, celebrates the unique character of the property while providing a state-of-the-art facility for San Antonio’s cultural arts groups. The new Performing Arts Center serves as a permanent home for San Antonio’s major performing arts organizations, including the San Antonio Symphony, Ballet, and Opera. One of the major hall’s most striking qualities is its ability to transform from a nearly 1,800-seat performance hall into a flat-floor ballroom space, making it an incredibly flexible venue, equally suited for music and special events. The Tobin Center is comprised of the large, transformative H-E-B theatre the 295-seat Studio Theater and the 600-seat River Walk Plaza, rehearsal facilities, educational spaces, and offices.

  • Client: Bexar County Performing Arts Center Foundation
  • Architect: LMN Architects
  • Arch. of Record: Marmon Mok
  • Completion Year: 2014
  • Location: San Antonio, Texas
  • Lighting: Horton Lees Brogden
  • Acoustician: Akustiks
  • Capacity: 1,750 seats

Awards
  • 2016 Urban Land Institute Global Award for Excellence
  • 2016 AIA Washington Council Civic Design Awards, Merit Award
  • 2016 AIA San Antonio – Honor Award
  • 2016 AIA San Antonio – Mayor’s Choice Award
  • 2014 World Architecture News Civic Buildings Award Finalist
  • 2013 Best Work in Progress, SA Downtown Best Awards
  • 2012 American Architecture Award
  • 2012 AIA Civic Design Award, Citation, Unbuilt Category

Links

Media

Utah Performing Arts Center | The George S. and Dolores Dore Eccles Theater

Utah Performing Arts Center
The George S. and Dolores Dore Eccles Theater


FDA was hired by GTS Development for Salt Lake County to conduct a feasibility study and develop a program for the Utah Performing Arts Center. FDA worked closely with GTS and the County to plan and implement an architectural selection process, which led to the selection of Pelli Clarke Pelli Architects. FDA continued on the project, collaborating with Pelli Clarke Pelli, HKS Architects, and acoustical consultant Jaffe Holden. The Eccles Theater presents touring Broadway productions, nationally prominent family shows, and music and comedy acts. These shows arrive in Salt Lake City much sooner with the new venue, making Broadway more available to all Utahns. The theater also serves as an additional venue for local arts organizations, including Ballet West and Utah Opera. The design of the Utah Performing Arts Center captures the spirit of its place — weaving the theater into downtown Salt Lake City, making connections to recent developments and serving as a catalyst for additional economic growth — a world-class theatre that reflects its surroundings.

  • Client: City of Salt Lake
  • Architect: Pelli Clarke Pelli Architects
  • Arch. of Record: HKS Architects
  • Completion Year: 2016
  • Location: Salt Lake City, Utah
  • Acoustician: Jaffe Holden
  • Capacity: 2,500 seats

Links

Xiqu Centre

Xiqu Centre


The new Xiqu Centre will host locally produced Cantonese Opera performances as well as visiting companies from across the Chinese-speaking world, where there are over 250 regional performance traditions. In addition to a main theatre seating 1,100, the project will include a traditional Tea House, rehearsal rooms and educational spaces. With 1,100 seats and a single balcony with side galleries, the main hall is intimate and lively. Taking inspiration from a Chinese garden, round “moon gates” define the side and back walls of the theatre. A 200-seat Tea House adds another, less formal option for visitors and a second space for intimate performances.The Xiqu Centre’s overall design lifts the opera house up above the main level, creating a plaza which opens to the rest of the West Kowloon Cultural District site. The plaza will be home to seasonally-constructed bamboo theatres and concerts, and also will serve as the first meeting point for visitors to the Cultural District.

  • Client: West Kowloon Cultural District Authority
  • Architect: Revery Architecture (formerly Bing Thom Architects)
  • Arch. of Record: Ronald Lu & Partners Hong Kong
  • Completion Year: 2019
  • Location: Hong Kong, China
  • Acoustician: Sound Space Vision
  • Capacity: 1,100 seats

Links

National Arts Centre

National Arts Centre (Architectural Rejuvenation)


The National Arts Centre is a Canadian landmark, conceived in 1967 (Canada’s Centennial year) as the premier showcase for the very best performing arts in the country. Situated in the heart of the nation’s capital on Confederation Square, the NAC displays a Brutalist style that made it a fortress for the arts. In anticipation of Canada’s 150th celebration in 2017, a rejuvenation was completed to establish new transparency and connection with the city. The transformation includes improved spaces for performance, new wings for audience and presentation events, and a new identity in the capital and for Canada as a whole. Public space for education, pre-concert gatherings, and small concerts will occupy the new North Atrium. An upper level Lounge will take in views of Confederation Square and Parliament Hill. This renewal brings the artistic energy of creation to the forefront to engage with the public and creates a dynamic crossroads for gathering at the NAC at all times of the day. FDA provided all performative capabilities and infrastructure for the public spaces.

Performance and Events Spaces

  • Southam Hall
    The largest performance hall at the NAC, with 2,065 seats across four levels. It hosts a variety of events, including concerts, opera, ballet, and Broadway musicals.
  • Babs Asper Theatre
    The second largest performance space, with 897 seats on two levels. It’s primarily used for theater and dance, but also hosts some concerts.
  • Azrieli Studio
    An intimate venue with 307 seats that’s suitable for dance, theater, and music performances.
  • Fourth Stage
    The most intimate performance space at the NAC, with 152 chairs.
  • Canada Room

    A space with views of the Rideau Canal that can accommodate 60–1,500 guests. It’s suitable for a variety of events, including weddings, cocktail parties, and business events. 

  • Client: National Arts Centre
  • Architect: Diamond Schmitt Architects
  • Completion Year: 2017
  • Location: Ottawa, Ontario
  • Acoustician: Threshold
  • Capacity: 
    Southam Hall: 2,065 seats
    Babs Asper Theatre: 897 seats
    Azrieli Studio: 307 seats
    Fourth Stage: 152 chairs

Links

Media

The Shed

The Shed

Photo Credit: Iwan Baan


The Shed is an exciting new home for the visual, performing and multimedia arts on the West Side of Manhattan on the south end of the Hudson Yards district.  The concept for The Shed emerged from a need for space to host large projects for larger audiences than most of New York’s cultural real estate can handle. Temporary and touring shows, food and art fairs, fashion shows and concerts will be held inside and outside the core building, which features a 140-foot retractable canopy that enables the adjacent plaza to become a full-fledged event space. FDA’s team is collaborating with DS+R, Rockwell Group and the client group to plan the performance galleries in the base building and the shed space, along with the complex technical infrastructure that will allow these spaces to be used flexibly and experimentally. FDA’s work includes design for the front and back of house spaces to make them usable for special events, concerts, theatre, dance, film and other presentations.

  • Architect: Diller Scofido + Renfro
  • Arch. of Record: Rockwell Group
  • Completion Year: 2019
  • Location: New York, New York
  • Lighting:Tillotson Design Associates
  • Acoustician: Akustiks
  • Building Size: 170,000 s.f.
  • Capacity:
    The McCourt: 1,250 seats (2,220 standing)
    Kenneth C. Griffin Theater: 500 seats
    Tisch Skylights and Lab: 450 seats (750 standing)

Links

Articles


Privacy Settings
We use cookies to enhance your experience while using our website. If you are using our Services via a browser you can restrict, block or remove cookies through your web browser settings. We also use content and scripts from third parties that may use tracking technologies. You can selectively provide your consent below to allow such third party embeds. For complete information about the cookies we use, data we collect and how we process them, please check our Privacy Policy
Youtube
Consent to display content from - Youtube
Vimeo
Consent to display content from - Vimeo
Google Maps
Consent to display content from - Google
error: Content is protected. Please reach out to rhackman@fda-online.com for any materials needed. Thank you